01056nam2 2200253 i 450 VAN004366820221121020039.30120060406d1957 |0itac50 baitaIT|||| |||||ˆ1: ‰Organizzazione socialeAntonio PalermoMilanoGiuffrè1957XIX, 500 p.25 cm001VAN00436652001 Manuale di diritto del lavoro e della sicurezza socialeAntonio Palermo205 Milano : Giuffre1957210 2 v. ; 25 cm215 Fondo Raffaele Papa1MilanoVANL000284PalermoAntonioVANV03543768387GiuffrèVANV109181650ITSOL20221125RICABIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZAIT-CE0105VAN00VAN0043668BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS IX.Ca.46 00FP 29014 20060907 Fondo Raffaele PapaOrganizzazione sociale1403568UNISOB04337nam 22006615 450 991076818600332120230810173224.09783030782092303078209310.1007/978-3-030-78209-2(CKB)5140000000013013(MiAaPQ)EBC6747913(Au-PeEL)EBL6747913(OCoLC)1287130638(DE-He213)978-3-030-78209-2(EXLCZ)99514000000001301320211009d2021 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierMusical Entanglements between Germany and East Asia Transnational Affinity in the 20th and 21st Centuries /edited by Joanne Miyang Cho1st ed. 2021.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2021.1 online resource (311 pages)Palgrave Series in Asian German Studies,2731-56659783030782085 3030782085 Chapter 1: The Idea of Entanglement, Historiography, and Organization -- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students -- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer -- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong -- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945 -- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors -- Chapter 5: The "Oriental" Utopia: Postwar Orientalism and Ferruccio Busoni's Opera Turandot -- Chapter 6: Reimagining China in Interwar German Opera: Eugen d'Albert's Mister Wu and Ernst Toch's Der Fächer -- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949 -- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power -- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers -- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity -- Chapter 10: When "Japanese" Music Became "Modern" Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency -- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art -- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits. .Palgrave Series in Asian German Studies,2731-5665Europe, CentralHistoryAsiaHistoryCivilizationHistoryWorld historyHistory of Germany and Central EuropeAsian HistoryCultural HistoryWorld History, Global and Transnational HistoryEurope, CentralHistory.AsiaHistory.CivilizationHistory.World history.History of Germany and Central Europe.Asian History.Cultural History.World History, Global and Transnational History.780.9430904780.95Cho Joanne Miyang1453459MiAaPQMiAaPQMiAaPQBOOK9910768186003321Musical entanglements between Germany and East Asia3656087UNINA