01247nam 2200349 n 450 99638976580331620221108055700.0(CKB)1000000000648773(EEBO)2248532223(UnM)99858983(EXLCZ)99100000000064877319851008d1642 uy |engurbn||||a|bb|Gods house, or The hovse of prayer, vindicated from prophanenesse and sacriledge[electronic resource] Delivered in a sermon the 24. day of February, Anno 1641. in Southampton. By Alexander Rosse, his Majesties Chaplaine in OrdinarieLondon [s.n.]Printed in the yeare 1642[4], 16 pReproduction of the original in the British Library.eebo-0018PrayerSermonsEarly works to 1800Sermons, English17th centuryPrayerSermons, EnglishRoss Alexander1591-1654.795878Cu-RivESCu-RivESCStRLINWaOLNBOOK996389765803316Gods house, or, The hovse of prayer vindicated from prophanenesse and sacriledge2329335UNISA02209 am 22003253u 450 991076587700332120221026221948.0989-8956-07-0(CKB)4100000008622680(OAPEN)1005153(EXLCZ)99410000000862268020190709d|||| uy poruuuuu---auuuuUma dramaturgia da violênciaImprensa de História Contemporânea20191 online resource (281)989-8956-00-3 This book intends to examine the films of João Canijo and their ties to representations of national identity. For that purpose, we did a review of literature on Portuguese cultural identity in its diverse dimensions (historical, literary and anthropological), focusing on the importance of Salazar’s ideology and the current identity debates. In the second part of this thesis, we try to analyse eight feature films made by the director, proposing the idea of a dramaturgy of violence, through intertextuality with Greek tragedy and film melodrama, which gives a perspective of a representation of contemporary Portugal, based on a patriarchal society and its violence. We argue the importance of concepts such as non-inscription, by José Gil, or the repressed, by Eduardo Lourenço, to comprehend the films. At last, our analysis debates the issue of realism in cinema, through the prism of contemporary changes suggested by the work of the filmmaker, which fuses fictional and documentary elements. Finally, we suggest a type of dramaturgy of violence in João Canijo’s films that try to question the existing images of Portuguese identity and its cultural representations.Film theory & criticismbicsscPostwar 20th century history, from c 1945 to c 2000bicsscSocial & cultural historybicsscFilm theory & criticismPostwar 20th century history, from c 1945 to c 2000Social & cultural historyRibas Daniel1978-,aut1452250BOOK9910765877003321Uma dramaturgia da violência3653618UNINA