04480nam 22005173 450 991075847620332120241107095129.01-000-92788-1(MiAaPQ)EBC30883073(Au-PeEL)EBL30883073(ODN)ODN0010173797(CKB)28842395500041(Exl-AI)30883073(EXLCZ)992884239550004120231115d2023 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierPerformance The Ethics and the Politics of Conservation and Care, Volume I1st ed.2023Milton :Taylor & Francis Group,2023.©2023.1 online resource (333 pages)Routledge Advances in Theatre and Performance StudiesPrint version: Hölling, Hanna B. Performance Milton : Taylor & Francis Group,c2023 9781032314884 Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of contributors -- Introduction: Caring for performance -- PART I: Care: Theoretical entanglements -- 1. Charisma and desire in the conservation of performance art -- 2. Not, yet: When our art is in our hands -- 3. Vitality and the conservation of performance -- 4. Conserving the un-conservable: Documenting environmental performance for the twenty-first century -- 5. Innovation and preservation: Shadreck Chirikure on the performance of heritage—A conversation with Hanna B. Hölling -- PART II: The politics and institutions of care -- 6. An experimental acquisition: Ralph Lemon’s Scaffold Room (2014) at the Walker -- 7. In the shadow of the state: Collecting performance at IMMA and institutions of care in the Irish context -- 8. Towards a performance continuum: Archival strategies for performance-based artworks -- 9. Peeling the paint off the walls: Kelli Morgan on Black performance and racial justice in Western institutions—A conversation with Hanna B. Hölling, Jules Pelta Feldman and Emilie Magnin -- 10. Performing the “Mask”: Kongo Astronauts (Eléonore Hellio and Michel Ekeba) on postcolonial entanglements—A conversation with Hanna B. Hölling, Emilie Magnin and Valerian Maly. Introduction by Jacob Badcock -- PART III: Living conservation -- 11. Knowledge has to live: Dread Scott on Slave Rebellion Reenactment (2019)—A conversation with Jules Pelta Feldman -- 12. Conserving a performance about conservation: Care and preservation in Mierle Laderman Ukeles’s maintenance art -- 13. Living materials: Ethics and principles for embodied stewardship -- 14. Precarious movements: Contemporary dance as contemporary art -- 15. Potential afterlives: Cauleen Smith on the relation of film to performance—A conversation with Hanna B. Hölling and Jules Pelta Feldman -- IndexGenerated by AI.This book, 'Performance: The Ethics and the Politics of Conservation and Care,' explores the complexities involved in the conservation of performance art. It addresses the theoretical debates and practical paradigms necessary for maintaining performance art as a study, experience, acquisition, and care object. The book highlights the urgent need for discourse on long-term care of performance art as it enters the art market and museums. Edited by Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin, the work brings together pioneering conservators, curators, and scholars to create frameworks for preserving performance art. It targets conservation students, professors, and professionals in art history, theater, performance studies, heritage studies, and anthropology, providing new insights into the ethics and politics of conserving performance art.Generated by AI.Routledge Advances in Theatre and Performance StudiesPerformance artGenerated by AIMuseum studiesGenerated by AIPerformance art.Museum studies.ART000000PER000000PER011020bisacshHölling Hanna B1438424Feldman Jules Pelta1438425Magnin Emilie1438426MiAaPQMiAaPQMiAaPQBOOK9910758476203321Performance3599721UNINA