02385oam 22005172 450 991074138960332120221212100811.00-262-37411-00-262-37412-9(CKB)5580000000532237(OCoLC)1340412034(OCoLC-P)1340412034(MaCbMITP)14509(MiAaPQ)EBC30160812(Au-PeEL)EBL30160812(EXLCZ)99558000000053223720220503d2023 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierParody in the age of remix mashup creativity vs. the takedown /Ragnhild Brøvig1st ed.Cambridge, Massachusetts :The MIT Press,2023.1 online resource0-262-54539-X Intro -- Contents -- Acknowledgments -- 1 Introduction: Mashups and Takedowns -- 2 Mashup Music as Parody: Its Roots and Specificity -- 3 Producing Mashups and the Pleasure of Play -- 4 The HAHA, AHA, and AH Impacts of Mashups -- 5 Sampling Ethics and Mashups' Legality -- 6 How Platform Moderation Affects Mashup Producers -- 7 Authorship and Ownership in the Age of Remix and Takedowns -- Appendix: Notes on MASHED Interview and Survey Methods -- Notes -- References -- Index."Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Brøvig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"--Provided by publisher.Mashups (Music)Philosophy and aestheticsMashups (Music)History and criticismParody in musicSOCIAL SCIENCE / Media StudiesMUSIC / History & CriticismLAW / Intellectual Property / CopyrightMashups (Music)Philosophy and aesthetics.Mashups (Music)History and criticism.Parody in music.781.1/7Brøvig Ragnhild1425156OCoLC-POCoLC-PBOOK9910741389603321Parody in the age of remix3555412UNINA