03051nam 2200637 450 991080725200332120210504015834.03-11-041854-13-11-041856-810.1515/9783110418545(CKB)3710000000482408(EBL)4006840(SSID)ssj0001596411(PQKBManifestationID)16295612(PQKBTitleCode)TC0001596411(PQKBWorkID)14884610(PQKB)11382399(MiAaPQ)EBC4006840(DE-B1597)450519(OCoLC)945755533(DE-B1597)9783110418545(Au-PeEL)EBL4006840(CaPaEBR)ebr11128062(CaONFJC)MIL838238(OCoLC)932329192(EXLCZ)99371000000048240820151222h20152015 uy 0engurnnu---|u||utxtccrLibrary user metaphors and services how librarians look at their users /Carl Gustav JohannsenBerlin, [Germany] ;Boston, [Massachusetts] :De Gruyter Saur,2015.©20151 online resource (182 p.)Current Topics in Library and Information Practice,2191-2742Description based upon print version of record.3-11-041965-3 Includes bibliographical references.Front matter --Acknowledgements --Contents --1. Introduction --2. User segmentation in libraries – from library usage patterns to lifestyle segments --3. Theoretical considerations concerning metaphors, images, and similar concepts and idea transfer in organizations --4. Five library user metaphors --5. Library services and user metaphors --6. Library user metaphors and the experience society --7. Conclusions --ReferencesHow do library professionals talk about and refer to library users, and how is this significant? In recent decades, the library profession has conceived of users in at least five different ways, viewing them alternatively as citizens, clients, customers, guests, or partners. This book argues that these user metaphors crucially inform librarians' interactions with the public, and, by extension, determine the quality and content of the services received. The ultimate aim of this book is to provide library professionals with insights and tools for avoiding common pitfalls associated with false or professionally inadequate conceptions of library users.Current topics in library and information practice.Public services (Libraries)Library usersPublic services (Libraries)Library users.025.5Johannsen Carl Gustav871909MiAaPQMiAaPQMiAaPQBOOK9910807252003321Library user metaphors and services3983138UNINA04016nam 22006855 450 991073600340332120230731000312.09783031338045303133804910.1007/978-3-031-33804-5(MiAaPQ)EBC30669818(Au-PeEL)EBL30669818(DE-He213)978-3-031-33804-5(CKB)27895270400041(OCoLC)1392345919(EXLCZ)992789527040004120230731d2023 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThe Beatles and the Beatlesque: A Crossdisciplinary Analysis of Sound Production and Stylistic Impact /by Dario Martinelli, Paolo Bucciarelli1st ed. 2023.Cham :Springer International Publishing :Imprint: Springer,2023.1 online resource (225 pages)Print version: Martinelli, Dario The Beatles and the Beatlesque: a Crossdisciplinary Analysis of Sound Production and Stylistic Impact Cham : Springer International Publishing AG,c2023 9783031338038 Preface -- Introduction -- 1. A brief history of The Beatles in the studio -- 2. Style and sound -- 3. The difficulty of defining the Beatles style -- 4. Crossdisciplinary reflections: production vs. multimodality studies, narratology, and film studies -- 5. Birth and fortune of the “Beatlesque”: Transmission of creativity and legacy -- Appendix -- Bibliography -- Index of names -- Index of songs, albums, and other artworks.The Beatles and the Beatlesque address a paradox emanating from The Beatles’ music through a cross-disciplinary hybrid of reflections, drawing from both, musical practice itself and academic research. Indeed, despite their extreme stylistic variety, The Beatles’ songs seem to always bear a distinctive identity that emerges even more in similar works by other artists, whether they are merely inspired, derivative or explicitly paying homage. The authors, a musicologist and music producer, emphasize the importance of record production in The Beatles' music in a way that does justice not only to the final artifacts (the released songs) but also to the creative process itself (i.e., the songs "in the making"). Through an investigation into the work of George Martin and his team, as well as The Beatles themselves, this text sheds light on the role of the studio in shaping the group's eclectic but unique sound. The chapters address what makes a song “Beatlesque”, to what extent production choices are responsible for developing a style, production being understood not as a mere set of technicalities, but also in a more conceptual way, as well as the aesthetics, semiotics and philosophy that animated studio activity. The outcome is a book that will appeal to both students and researchers, as well as, of course, musicophiles of all kinds.Popular musicMotion picturesSemioticsAcoustical engineeringAestheticsPopular MusicAudio-Visual CultureSemioticsEngineering AcousticsAestheticsPopular music.Motion pictures.Semiotics.Acoustical engineering.Aesthetics.Popular Music.Audio-Visual Culture.Semiotics.Engineering Acoustics.Aesthetics.782.421660922782.421660922Martinelli Dario886728Bucciarelli Paolo1380469MiAaPQMiAaPQMiAaPQBOOK9910736003403321The Beatles and the Beatlesque: A Crossdisciplinary Analysis of Sound Production and Stylistic Impact3566812UNINA