02995oam 2200721 450 991077777090332120231201205450.00-300-27866-71-281-72265-097866117226540-300-13357-X10.12987/9780300133578(CKB)1000000000472097(StDuBDS)AH23049771(SSID)ssj0000106201(PQKBManifestationID)11128035(PQKBTitleCode)TC0000106201(PQKBWorkID)10109472(PQKB)10210200(DE-B1597)484956(OCoLC)1013938019(DE-B1597)9780300133578(Au-PeEL)EBL3420063(CaPaEBR)ebr10170753(CaONFJC)MIL172265(OCoLC)923589372(MiAaPQ)EBC3420063(OCoLC)1411228552(EXLCZ)99100000000047209720231201d2002 uy 0engur|||||||||||rdacontentrdamediardacarrierThe arts and the creation of mind /Elliot W. EisnerNew Haven :Yale University Press,[2002]1 online resource (288 pages)Bibliographic Level Mode of Issuance: Monograph0-300-09523-6 Includes bibliographical references (pages 243-253) and index.The role of the arts in transforming consciousness -- Visions and versions of arts education -- Teaching the visual arts -- What the arts teach and how it shows -- Describing learning in the visual arts -- The centrality of curriculum and the function of standards -- The educational uses of assessment and evaluation in the arts -- What education can learn from the arts -- An agenda for research in arts education -- Summary and significance."Offering a rich array of examples, Eisner describes different approaches to the teaching of the arts and the virtues each possesses when well taught. He discusses especially nettlesome issues pertaining to the evaluation of performance in the arts. Perhaps most important, Eisner provides a fresh and admittedly iconoclastic perspective on what the arts can contribute to education, namely a new vision of both its aims and its means"--Publisher's description.Art and societyArt in educationUnited StatesArtStudy and teachingUnited StatesPhilosophyArt and society.Art in educationArtStudy and teachingPhilosophy.707/.1/273Eisner Elliot W.1512456Yale University Press,YUSYUSYUSDEGRUOCLCFUWKYUSBOOK9910777770903321The arts and the creation of mind3803283UNINA04830oam 22006734a 450 991073559280332120250927011805.097804729040990472904094(CKB)5680000000311810(MdBmJHUP)musev2_113373(MiAaPQ)EBC31893939(Au-PeEL)EBL31893939(ODN)ODN0011588470(EXLCZ)99568000000031181020111109d2010 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierLady Dicks and Lesbian Brothers Staging the Unimaginable at the WOW Cafe Theater /Kate Davy1st ed.Ann Arbor University of Michigan Press2023Ann Arbor :University of Michigan Press,2010.©20101 online resourceillustrationsTriangulations: lesbian/gay/queer-- theater/drama/performance.Includes index.9780472071227 047207122X 9780472051229 0472051229 Introducing WOW: "A miracle on E. 4th Street" -- Women are laughing again: allied faces -- Sex, drag, and rock 'n' roles: the festivals -- Feminist space and a system of anarchy: the storefront -- Staging the unimaginable: New York's East Village club scene -- Challenging whiteness: the fourth-floor walk-up -- "Learning to walk on our hands" -- Appendix: WOW Production history."Out of a small, hand-to-mouth, women's theater collective called the WOW Cafe located on the lower east side of Manhattan, there emerged some of the most important theater troupes and performance artists of the 1980s and 1990s, including the Split Britches Company, the Five Lesbian Brothers, Carmelita Tropicana, Holly Hughes, Lisa Kron, Deb Margolin, Reno, Peggy Shaw, and Lois Weaver. The WOW (Women's One World) Cafe Theatre appeared on the cultural scene at a critical turning point in both the women's movement and feminist theory, putting a witty, hilarious, gender-bending and erotically charged aesthetic on the stage for women in general and lesbians in particular. The storefront that became the WOW Cafe Theatre saw dozens of excitingly original and enormously funny performances created, performed, and turned over at lightning speed--a kind of "hit and run" theater. As the demands on the space increased, the women behind WOW organized as a collective and moved their theater to an abandoned doll factory where it continues to operate today. For three decades the WOW Cafe has nurtured fledgling women writers, designers, and performers who continue to create important performance work. This book provides a critical history of this avant-garde venture whose ongoing "system of anarchy" has been largely responsible for its thirty-year staying power, after dozens of other women's theaters have collapsed. WOW artists were creating a wholly original cultural landscape across which women could represent themselves on their own terms. Parody, cross-dressing, zany comedy, and an unbridled eroticism are hallmarks of WOW's aesthetic, combined--importantly and powerfully--with a presumptive address to the audience as if everyone onstage, in the audience, and in the world is lesbian. The author's research included in-depth interviews with WOW veterans; newspaper reviews of the earliest productions; and rare, unpublished photographs. The book also includes a chronology of productions that have highlighted WOW's performance schedule since the early '80s."--PublisherTriangulations: Lesbian/Gay/Queer Theater/Drama/Performance SeriesMusic-halls (Variety-theaters, cabarets, etc.)fast(OCoLC)fst01030677Lesbian theaterfast(OCoLC)fst00996507Theâtre lesbienNew York (État)New YorkLesbian theaterNew York (State)New YorkMusic-halls (Variety-theaters, cabarets, etc.)New York (State)New YorkHistory20th centuryLesbian theater groupshomoithttps://homosaurus.org/v4/homoit0000789New York (State)New YorkfastHistory.Music-halls (Variety-theaters, cabarets, etc.)Lesbian theater.Theâtre lesbienLesbian theaterMusic-halls (Variety-theaters, cabarets, etc.)HistoryLesbian theater groups.792.02/2PER000000PER011020SOC017000bisacshDavy Kate1379376MdBmJHUPMdBmJHUPBOOK9910735592803321Lady Dicks and Lesbian Brothers3418999UNINA