00486oas 2200181z- 450 99101411437033211884-2739(CKB)2670000000082883(EXLCZ)99267000000008288320171211cuuuuuuuu -u- -jpn日本EU学会年報 [[ニッポンEUガッカイネンポウ]]東京日本EU学会1884-3123 JOURNAL9910141143703321EU1669591UNINA03889nam 22007335 450 991073483840332120240701123639.09783031046667(electronic bk.)978303104665010.1007/978-3-031-04666-7(MiAaPQ)EBC7052078(Au-PeEL)EBL7052078(CKB)24286254700041(DE-He213)978-3-031-04666-7(EXLCZ)992428625470004120220726d2022 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThe Provincial and The Postcolonial in Cultural Texts from Late Modern Turkey /by Evren Özselçuk1st ed. 2022.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2022.1 online resource (190 pages)Print version: Özselçuk, Evren The Provincial and the Postcolonial in Cultural Texts from Late Modern Turkey Cham : Springer International Publishing AG,c2022 9783031046650 Includes bibliographical references and index.1. Introduction -- 2. Concepts and Frameworks: Taşra from Modernization to Globalization -- 3. Taşra, Temporality, and Melancholia in Orhan Pamuk's Istanbul -- 4. Fatih Akın's Crossing the Bridge: Turkey as Europe's Taşra, or Limitations of a Metaphor -- 5. Provincializing The Metropolitan Center: Nuri Bilge Ceylan's Taşras -- 6. Conclusion.This book explores Turkey's complicated relationship to modernity and its status within the new global order by tracing the ambivalent ways in which taşra (the provinces) is constituted in contemporary Turkish cinema and literature. Connoting much more than its immediate spatial meaning as those places outside of the center(s), taşra is a way of naming what modernity decries as spatial peripherality, temporal belatedness, and cultural backwardness. It has functioned historically as a psychosocial repository for what Turkish modernity degrades and disavows, enabling a mapping of the predicaments and contradictions of Turkish modernization and national identity-constitution. Organized around taşra as its central analytic and informed by postcolonial, psychoanalytical, and critical theory, the book examines the extent to which dominant codings of taşra are affirmed and/or complicated in cinematic and literary narratives by award-winning filmmakers Nuri BilgeCeylan and Fatih Akın and Nobel laureate Orhan Pamuk. Evren Özselçuk teaches in the Department of English and the Film and Media Studies Program at the University of South Carolina, USA.Motion picture plays, EuropeanMotion picturesEuropean literatureEthnologyEuropeCultureLiteratureCultureStudy and teachingEuropean Film and TVGlobal Film and TVEuropean LiteratureEuropean CultureLiteratureCultural TheoryMotion picture plays, European.Motion pictures.European literature.EthnologyCulture.Literature.CultureStudy and teaching.European Film and TV.Global Film and TV.European Literature.European Culture.Literature.Cultural Theory.894.351008894.3509Oezselcuk Evren1373746MiAaPQMiAaPQMiAaPQ9910734838403321The provincial and the postcolonial in cultural texts from late modern Turkey3404873UNINA