04875nam 22007455 450 991072008340332120230905064629.09783031304262electronic book3031304268electronic book9783031304255303130425X3-031-30426-810.1007/978-3-031-30426-2(CKB)5720000000183852(MiAaPQ)EBC7248323(Au-PeEL)EBL7248323(DE-He213)978-3-031-30426-2(EXLCZ)99572000000018385220230508d2023 u| 0enguraz#---auuuutxtrdacontentcrdamediacrrdacarrierWILDE NOW Performance, Celebrity and Intermediality in Oscar Wilde /by Pierpaolo Martino1st ed. 2023.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2023.1 online resourcePalgrave Studies in Music and Literature,2946-51413-031-30425-X Includes bibliographical references and index.Chapter 1 - Oscar Wilde's Aesthetics of Masks and Early Performances: Dublin, Oxford, London -- Chapter 2 - Genius and Celebrity: Oscar Wilde in America -- Chapter 3 - Wilde, Consumerism and the Arts -- Chapter 4 - Performing De Profundis -- Chapter 5 - On the Wilde Side: Wilde in Contemporary Pop Culture -- Wilde Now: Adaptations, Rewritings, Tributes.‘WILDE NOW is an important contribution to the study of Oscar Wilde as a proto-postmodernist. With this book, Pierpaolo Martino has greatly enhanced our knowledge of the importance of Wilde’s life and works to the development of contemporary music, literature and film. The richness of the research and scholarship that went into the creation of this study is evident in all of the chapters. The analysis of the Wildean strand in modern music is exceptionally rewarding. This volume will undoubtedly be of value to both new and established scholars of Wilde’s life and literary oeuvre’. -Graham Price, Media Studies Lecturer, NUI Maynooth, Author of Oscar Wilde and Contemporary Irish Drama: Learning to be Oscar’s Contemporary. WILDE NOW reads Oscar Wilde through our now, through a contemporary sensibility (and approach), in which literature and popular culture interrogate and are interrogated by critical concepts and categories such as performance, celebrity, intermediality, and consumerism. This volume exceeds the shape and meaning of a critical study to turn into a drama of five different acts/moments in Wilde’s life and work: his early performances in Dublin, London and Oxford; the 1882 American tour; his successful season of the first half of the 1890s, his prison years and finally his glorious resurrection in contemporary pop culture. Most importantly WILDE NOW approaches these moments through contemporary rewritings and performances of “Oscar Wilde” in the fields of cinema, music and literature by such artists as Al Pacino, Rupert Everett, Stephen Fry, Gyles Brandreth, David Hare, David Bowie, Morrissey, Nick Cave, Neil Tennant and Gavin Friday. These artists – through their awareness of the importance of being/playing Oscar in their specific worlds and cultural contexts – will also show us that Wilde can be conceived as a subversive, critical role one might successfully perform and appropriate, now more than ever. Pierpaolo Martino is Associate Professor of English Literature at the University of Bari, Italy. He is the author of Mark the Music: The Language of Music in English Literature from Shakespeare to Salman Rushdie (2012), and co-editor of Oscar Wilde in the Third Millennium: Approaches, Directions, Re-evaluations (2022).Palgrave Studies in Music and Literature,2946-5141Adaptation (Literary, artistic, etc.)Performing artsTheaterCelebritiesPopular CulturePopular musicAdaptation StudiesTheatre and Performance ArtsCelebrity StudiesPopular CulturePop and RockAdaptation (Literary, artistic, etc.).Performing arts.Theater.Celebrities.Popular Culture.Popular music.Adaptation Studies.Theatre and Performance Arts.Celebrity Studies.Popular Culture.Pop and Rock.828.809Martino Pierpaolo754116MiAaPQMiAaPQMiAaPQBOOK9910720083403321Wilde now3383188UNINA