01737oam 2200517 450 991071392800332120210319152347.0(CKB)5470000002506385(OCoLC)1201190022(OCoLC)1206184754(OCoLC)995470000002506385(EXLCZ)99547000000250638520201021j198005 ua 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierTemperature correction formulas for adjusting estimates of automobile fuel consumption /by Norman MorseAnn Arbor, MI :Environmental Protection Agency,May 1980.1 online resource (i, 41 pages) illustrations"Report 3520-1/BUF-35.""May 1980.""Final report."Includes bibliographical references.AutomobilesFuel consumptionAutomobilesCold weather operationAutomobilesFuel systemsTestingTemperatureTemperaturefastAutomobilesFuel consumption.AutomobilesCold weather operation.AutomobilesFuel systemsTesting.Temperature.Temperature.Morse Norman1395029United States.Environmental Protection Agency,Falcon Research & Development Co.,GPOGPOOCLCFOCLCOGPOBOOK9910713928003321Temperature correction formulas for adjusting estimates of automobile fuel consumption3452976UNINA01984nam 2200589 a 450 991077917960332120200520144314.00-8232-5365-1(CKB)2550000000100689(EBL)3239626(SSID)ssj0000885503(PQKBManifestationID)11493718(PQKBTitleCode)TC0000885503(PQKBWorkID)10964135(PQKB)10996025(MiAaPQ)EBC3239626(OCoLC)867784758(MdBmJHUP)muse19875(Au-PeEL)EBL3239626(CaPaEBR)ebr10561958(EXLCZ)99255000000010068920120322d2012 uy 0engur|n|---|||||txtccrWritings on medicine[electronic resource] /Georges Canguilhem ; translated, with an introduction by Stefanos Geroulanos and Todd Meyers1st ed.New York Fordham University Press20121 online resource (116 p.)Forms of livingDescription based upon print version of record.0-8232-3431-2 Includes bibliographical references and index.The idea of nature in medical theory and practice -- Diseases -- Health: popular concept and philosophical question -- Is a pedagogy of healing possible? -- The problem of regulation in the organism and in society.Forms of living.MedicinePhilosophyMedicineHistoryMedicinePhilosophy.MedicineHistory.610Canguilhem Georges1904-1995.45542Geroulanos Stefanos307498Meyers Todd1120415MiAaPQMiAaPQMiAaPQBOOK9910779179603321Writings on medicine3851148UNINA04314nam 22004693a 450 991091729650332120250204000226.010.26530/OAPEN_548050(CKB)36720933400041(ScCtBLL)61c4b7f7-2339-43b8-b563-a5421f0f5540(OCoLC)918559714(oapen)doab26430(EXLCZ)993672093340004120250204i20152020 uu engur|||||||||||txtrdacontentcrdamediacrrdacarrierDigital LightNathaniel Tkacz, Sean Cubitt, Daniel PalmerOpen Humanities Press2015[s.l.] :Open Humanities Press,2015.1 online resource (1 p.)Fibreculture Books9781785420009 1785420003 9781785420085 1785420089 Light symbolises the highest good, it enables all visual art, and today it lies at the heart of billion-dollar industries. The control of light forms the foundation of contemporary vision. Digital Light brings together artists, curators, technologists and media archaeologists to study the historical evolution of digital light-based technologies. Digital Light provides a critical account of the capacities and limitations of contemporary digital light-based technologies and techniques by tracing their genealogies and comparing them with their predecessor media. As digital light remediates multiple historical forms (photography, print, film, video, projection, paint), the collection draws from all of these histories, connecting them to the digital present and placing them in dialogue with one another. Light is at once universal and deeply historical. The invention of mechanical media (including photography and cinematography) allied with changing print technologies (half-tone, lithography) helped structure the emerging electronic media of television and video, which in turn shaped the bitmap processing and raster display of digital visual media. Digital light is, as Stephen Jones points out in his contribution, an oxymoron: light is photons, particulate and discrete, and therefore always digital. But photons are also waveforms, subject to manipulation in myriad ways. From Fourier transforms to chip design, colour management to the translation of vector graphics into arithmetic displays, light is constantly disciplined to human purposes. In the form of fibre optics, light is now the infrastructure of all our media; in urban plazas and handheld devices, screens have become ubiquitous, and also standardised. This collection addresses how this occurred, what it means, and how artists, curators and engineers confront and challenge the constraints of increasingly normalised digital visual media. While various art pieces and other content are considered throughout the collection, the focus is specifically on what such pieces suggest about the intersection of technique and technology. Including accounts by prominent artists and professionals, the collection emphasises the centrality of use and experimentation in the shaping of technological platforms. Indeed, a recurring theme is how techniques of previous media become technologies, inscribed in both digital software and hardware. Contributions include considerations of image-oriented software and file formats; screen technologies; projection and urban screen surfaces; histories of computer graphics, 2D and 3D image editing software, photography and cinematic art; and transformations of light-based art resulting from the distributed architectures of the internet and the logic of the database. Digital Light brings together high profile figures in diverse but increasingly convergent fields, from academy award-winner and co-founder of Pixar, Alvy Ray Smith to feminist philosopher Cathryn Vasseleu.Social Science / Media StudiesbisacshSocial sciencesSocial Science / Media StudiesSocial sciences.Tkacz Nathaniel803504Cubitt SeanPalmer DanielScCtBLLScCtBLLBOOK9910917296503321Digital Light4323136UNINA