03526 am 22006613u 450 991015356180332120161024011046.01-78374-261-52-8218-8403-61-78374-260-7(CKB)3710000000869539(EBL)4694633(MiAaPQ)EBC4694633(FrMaCLE)OB-obp-3635(oapen)https://directory.doabooks.org/handle/20.500.12854/39028(PPN)203889606(EXLCZ)99371000000086953920161021h20162016 uy| 0engur|n|---|||||rdacontentrdamediardacarrierTheatre and war notes from the field /Nandita DineshOpen Book Publishers2016Cambridge :Open Book Publishers,[2016]©20161 online resource (214 p.)Description based upon print version of record.1-78374-258-5 1-78374-259-3 Includes bibliographical references and index.Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index.Nandita Dinesh places Kipling's 'six honest serving-men' (Who, What, When, Where, Why, How) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry ― Why, Where, Who, What, When ― and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the book's discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre ― practitioners, researchers, and students alike - as well as those seeking to understand the applications of the arts for ethics, politics, and education.War and theaterperformancesethicstheatreetnographywarcommunity theatreAegean disputeAfterlifeArmeniaIndiaIntentionalityKashmirRwandaWar and theater.809.2/93581Dinesh Nandita887077MiAaPQMiAaPQMiAaPQBOOK9910153561803321Theatre and war2280863UNINA01979oam 2200541 450 991071349180332120200416080957.0(CKB)5470000002500731(OCoLC)966434490(OCoLC)995470000002500731(EXLCZ)99547000000250073120161219d1985 ua 0engurbn|||||||||txtrdacontentcrdamediacrrdacarrierEvaluation of the effects of coal-mine reclamation on water quality in Big Four Hollow near Lake Hope, southeastern Ohio /by Vance E. NicholsColumbus, Ohio :U.S. Geological Survey,1985.1 online resource (vi, 215 pages) illustrations, mapsWater-resources investigations report ;85-4197Chiefly tables."Prepared in cooperation with the Ohio Department of Natural Resources, Division of Reclamation."Includes bibliographical references (pages 24-25).Coal mines and miningEnvironmental aspectsOhioLakesOhioWaterPollutionOhioWater qualityOhioCoal mines and miningEnvironmental aspectsfastWater qualityfastCoal mines and miningEnvironmental aspectsLakesWaterPollutionWater qualityCoal mines and miningEnvironmental aspects.Water quality.Nichols Vance E.1403859Geological Survey (U.S.),Ohio.Division of Reclamation.COPCOPOCLCOOCLCFGPOBOOK9910713491803321Evaluation of the effects of coal-mine reclamation on water quality in Big Four Hollow near Lake Hope, southeastern Ohio3477302UNINA