01228nam 2200373 450 00001140220050718115400.00-8284-1297-920020823d1985----km-y0itay0103----baengUSSolved and unsolved problems in number theoryby Daniel Shanks3. ed.New YorkChelsea Publishing Companyc1985XIII, 304 p.ill.24 cm.NumeriTeoria512.7(20. ed.)Teoria dei numeri11-xxNumber theoryShanks,Daniel440801ITUniversità della Basilicata - B.I.A.RICAunimarc000011402Solved and unsolved problems in number theory79721UNIBASMONSCIMONOGRSCIENZEEXT0020120020823BAS01185320050601BAS011754batch0120050718BAS01105120050718BAS01111020050718BAS01114020050718BAS011154BAS01BAS01BOOKBASA5Dipartimento MatematicaGENCollezione generaleMAT2364M23642002082351Riservati02910nam 2200385 450 991068824820332120230702151952.0(CKB)5580000000514237(NjHacI)995580000000514237(ScCtBLL)5d11ceb5-9f3b-4613-a668-94dd679b3e94(EXLCZ)99558000000051423720230702d2023 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierTouching at a distance Shakespeare's theatre /Johannes UngelenkEdinburgh :Edinburgh University Press,[2023]©20231 online resource (xi, 279 pages)Edinburgh critical studies in Shakespeare and philosophy1-4744-9785-3 Theatre has a remarkable capacity: it touches from a distance. The audience is affected, despite their physical separation from the stage. The spectators are moved, even though the fictional world presented to them will never come into direct touch with their real lives. Shakespeare is clearly one of the master practitioners of theatrical touch. As the study shows, his exceptional dramaturgic talent is intrinsically connected with being one of the great thinkers of touch. His plays fathom the complexity and power of a fascinating notion - touch as a productive proximity that is characterised by unbridgeable distance - which philosophers like Friedrich Nietzsche, Maurice Blanchot, Jacques Derrida, Luce Irigaray and Jean-Luc Nancy have written about, centuries later. By playing with touch and its metatheatrical implications, Shakespeare raises questions that make his theatrical art point towards modernity: how are communities to form when traditional institutions begin to crumble? What happens to selfhood when time speeds up, when oneness and timeless truth can no longer serve as reliable foundations? What is the role and the capacity of language in a world that has lost its seemingly unshakeable belief and trust in meaning? How are we to conceive of the unthinkable extremes of human existence - birth and death - when the religious orthodoxy slowly ceases to give satisfactory explanations? Shakespeare's theatre not only prompts these questions, but provides us with answers. They are all related to touch, and they are all theatrical at their core: they are argued and performed by the striking experience of theatre's capacities to touch - at a distance.Edinburgh critical studies in Shakespeare and philosophy.English literatureHistory and criticismEnglish literatureHistory and criticism.820.9Ungelenk Johannes1178390NjHacINjHaclBOOK9910688248203321Touching at a Distance3006348UNINA