01027nam2 22002893i 450 SBL008531820251003044349.0IT6813262 20130827d1968 ||||0itac50 baitaitz01i xxxe z01nz01ncRDAcarrier1: La costituzione del rapportoAlfredo GalassoMilanoA. Giuffrè1968314 p.25 cm.001MIL00725772001 Mutuo e deposito irregolareAlfredo Galasso1MutuoItaliaFIRUFIC088180I346.45073DIRITTO COMMERCIALE. PRESTITO. Italia21ITIT-00000020130827IT-BN0095 SBL0085318Biblioteca Centralizzata di Ateneo1 v. 01D (AR) 7 985 01AR 0070079855 VMA 1 v.Y 2015070620150706 01Costituzione del rapporto2898872UNISANNIO03140nam 22006135 450 991068677820332120251008140644.09783031258879303125887810.1007/978-3-031-25887-9(MiAaPQ)EBC7222583(Au-PeEL)EBL7222583(OCoLC)1374426837(DE-He213)978-3-031-25887-9(CKB)26355649400041(EXLCZ)992635564940004120230329d2023 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierTissues, Cultures, Art /by Ionat Zurr, Oron Catts1st ed. 2023.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2023.1 online resource (160 pages)Palgrave BioArt,2731-3034Print version: Zurr, Ionat Tissues, Cultures, Art Cham : Springer International Publishing AG,c2023 9783031258862 Introduction -- 1. The Semi-living -- 2. Information, Genohype and DNA Chauvinism -- 3. Who Cares? Outsourcing Labour to Incubators -- 4. The Reverse Ontology of Sentience: The Technologically Mediated Victimless Utopia 5. Taxonomies, Categorizations and Queer Life -- 6. Concluding Notes: Secular Vitalism.Tissues, Cultures, Art narrates the twenty-five years of collaborative and sometimes provocative artistic practice and scholarly thought of Catts & Zurr, who pioneered the use of regenerative biology techniques to create Semi-Living art using living cells, tissues, and technological surrogate bodies. Through hands-on work in biological laboratories, the authors researched concepts such as partial-life and DNA-Chauvinism and explored the fantasies of living in a technologically mediated victimless utopia. The authors delve into life’s resistance to reductionism, systemisation and control, asking whether there is something unique to life without the need to resort to metaphysics. Their practices reach beyond the confines of art and are often cited as precursors to the cellular agriculture and biofabrication industries. Through a hybrid of personal reflections, poetics, and anecdotes with a more rigorous, scholarly approach – all illustrated with artworks - the authors present a critical view on the use of life as a raw material for human manipulation.Palgrave BioArt,2731-3034CultureStudy and teachingArtsBiologyVisual CultureArtsBiological SciencesCultureStudy and teaching.Arts.Biology.Visual Culture.Arts.Biological Sciences.306709.051Zurr Ionat1350322Catts Oron1350323MiAaPQMiAaPQMiAaPQBOOK9910686778203321Tissues, Cultures, Art3088202UNINA