00690nam0 2200229 450 00001611220181220121818.020080915d1958----km-y0itay50------baspaESy-------001yyDerecho maritimo practicoJose Maria Garibi UndabarrenaMadridOficina Central Maritimac1958833 p.25 cmDiritto marittimo347.79119Garibi Undabarrena,Jose Maria631904ITUNIPARTHENOPE20080915RICAUNIMARC000016112347.791/10614664NAVA42008Derecho maritimo practico1202685UNIPARTHENOPE04221nam 22007335 450 991067244510332120251009102923.03-031-13662-410.1007/978-3-031-13662-7(MiAaPQ)EBC7202874(Au-PeEL)EBL7202874(CKB)26154728800041(DE-He213)978-3-031-13662-7(EXLCZ)992615472880004120230214d2022 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierShowing Time: Continuous Pictorial Narrative and the Adam and Eve Story In Memory of Alberto Argenton /by Laura Messina-Argenton, Tiziano Agostini, Tamara Prest, Ian F. Verstegen1st ed. 2022.Cham :Springer International Publishing :Imprint: Springer,2022.1 online resource (411 pages)Print version: Messina-Argenton, Laura Showing Time: Continuous Pictorial Narrative and the Adam and Eve Story Cham : Springer International Publishing AG,c2023 9783031136610 Includes bibliographical references and index.Part I . The Study -- Chapter 1. Pictorial Representation of Stories -- Chapter 2. A Study Project on Continuous Pictorial Narrative -- Chapter 3. First Research Phase on the Story of Adam and Eve -- Chapter 4. Second Research Phase on the Story of Adam and Eve -- Part II. Reference Materials of the Study -- Chapter 5. General Repertoire of Artworks of Pictorial Continuous Narrative -- Chapter 6. Images of the Story of Adam and Eve -- Chapter 7. Narrative Apparatus of the Story of Adam and Eve.How does a visual artist manage to narrate a story, which has a sequential and therefore temporal progression, using a static medium consisting solely of spatial sign elements and, what is more, in a single image? This is the question on which this work is based, posed by its designer, Alberto Argenton, to whose memory it is dedicated. The first explanation usually given by scholars in the field is that the artist solves the problem by depicting the same character in a number of scenes, thus giving indirect evidence of events taking place at different times. This book shows that artists, in addition to the repetition of characters, devise other spatial perceptual-representational strategies for organising the episodes that constitute a story and, therefore, showing time. Resorting to the psychology of art of a Gestalt matrix, the book offers ha formattato: Italiano (Italia) Codice campo modificato ha formattato: Italiano (Italia) ha formattato: Italiano (Italia) researchers, graduates,advanced undergraduates, and professionals a description of a large continuous pictorial narrative repertoire (1000 works) and an in-depth analysis of the perceptual-representational strategies employed by artists from the 6th to the 17th century in a group of 100 works narrating the story of Adam and Eve.Cognitive psychologyPsychologyAestheticsColorVisionArtHistoryPhilosophy of mindCognitive PsychologyBehavioral Sciences and PsychologyPsychology of AestheticsVision and Colour ScienceArt HistoryPhilosophy of MindCognitive psychology.Psychology.Aesthetics.Color.Vision.ArtHistory.Philosophy of mind.Cognitive Psychology.Behavioral Sciences and Psychology.Psychology of Aesthetics.Vision and Colour Science.Art History.Philosophy of Mind.111.85704.94820940902Messina-Argenton Laura1334182MiAaPQMiAaPQMiAaPQBOOK9910672445103321Showing Time: Continuous Pictorial Narrative and the Adam and Eve Story4450626UNINA