02545oam 22005654a 450 991065681320332120161228114947.01-283-94164-30-472-02891-X10.3998/mpub.1586114(CKB)2670000000330402(EBL)3415117(SSID)ssj0000814694(PQKBManifestationID)11407436(PQKBTitleCode)TC0000814694(PQKBWorkID)10801947(PQKB)10034366(MiAaPQ)EBC3415117(MiU)10.3998/mpub.1586114(Au-PeEL)EBL3415117(CaPaEBR)ebr10643972(CaONFJC)MIL425414(OCoLC)923504829(EXLCZ)99267000000033040220120816d2013 uy 0engur|n|---|||||txtccrSounding like a no-no queer sounds and eccentric acts in the post-soul era /Francesca T. RoysterAnn Arbor :University of Michigan Press,c2013.1 online resource (267 p.)Description based upon print version of record.0-472-05179-2 Includes bibliographical references (p. 229-241) and index.Introduction : Eccentric performance and embodied music in the post-soul moment -- Becoming post-soul : Eartha Kitt, the Stranger, and the melancholy pleasures of racial reinvention -- Stevie Wonder's "Quare" teachings and cross-species collaboration in Journey through the secret life of plants and other songs -- "Here's a chance to dance our way out of our constrictions" : P-Funk's black masculinity and the performance of imaginative freedom -- Michael Jackson, queer world making, and the trans erotics of voice, gender, and age -- "Feeling like a woman, looking like a man, sounding like a no-no" : Grace Jones and the performance of "Strangé" in the post-soul moment -- Funking toward the future in Meshell Ndegeocello's The world has made me the man of my dreams -- Epilogue : Janelle Monáe's collective vision.Popular musicSocial aspectsSoul musicPopular musicSocial aspects.Soul music.781.640973Royster Francesca T689467Michigan Publishing (University of Michigan)MiUMiUBOOK9910656813203321Sounding like a no-no2755769UNINA