04138nam 2201033 a 450 991078331410332120230617024438.01-282-76313-X97866127631370-520-93829-11-59875-531-510.1525/9780520938298(CKB)1000000000030777(EBL)231915(OCoLC)475938252(SSID)ssj0000175800(PQKBManifestationID)11177188(PQKBTitleCode)TC0000175800(PQKBWorkID)10204218(PQKB)10426601(MiAaPQ)EBC231915(OCoLC)60407992(MdBmJHUP)muse30708(DE-B1597)519244(OCoLC)1058899814(DE-B1597)9780520938298(Au-PeEL)EBL231915(CaPaEBR)ebr10079963(CaONFJC)MIL276313(EXLCZ)99100000000003077720040803d2005 uy 0engurcn|||||||||txtccrI never knew what time it was[electronic resource] /David AntinBerkeley University of California Pressc20051 online resource (190 p.)Description based upon print version of record.0-520-24305-6 0-520-24304-8 The theory and practice of postmodernism: a manifesto -- California: the nervous camel -- Café Europa -- Talking at Blérancourt -- The noise of time -- I never knew what time it was -- Time on my hands -- How wide is the frame -- What happened to Walter -- Endangered nouns.In this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time-how it's felt, remembered, and recounted. These free-form talk pieces-sometimes called talk poems or simply talks-began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud. Serious and playful, they move rapidly from keen analysis to powerful storytelling to passages of pure comedy, as they range kaleidoscopically across Antin's experiences: in the New York City of his childhood and youth, the Eastern Europe of family and friends, and the New York and Southern California of his art and literary career. The author's analysis and abrasive comedy have been described as a mix of Lenny Bruce and Ludwig Wittgenstein, his commitment to verbal invention and narrative as a fusion of Mark Twain and Gertrude Stein. Taken together, these pieces provide a rich oral history of and critical context for the evolution of the California art scene from the 1960's onward.Performance artTextsArtsCaliforniaCaliforniaCivilization1960s.20th century.analysis.art and literature.comedy.concept of time.contemporary poetry.experience of time.famous poets.freeform poetry.improvised poetry.literary criticism.literary critics.lived experiences.memory.modern poets.museums.new york.oral history.performance art.poetry centers.poetry collection.poets.southern california.talk poems.temporal states.thinking out loud.time.universities.verbal invention.verbal poems.Performance artArts811/.54Antin David50024MiAaPQMiAaPQMiAaPQBOOK9910783314103321I never knew what time it was3678642UNINA03019nam 2200409 450 991064010030332120230509182929.03-96110-392-5https://doi.org/10.5281/zenodo.6973523(CKB)5580000000492249(NjHacI)995580000000492249(ScCtBLL)55da0aff-371f-4876-b913-d04a428940d5(EXLCZ)99558000000049224920230509d2022 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierHeadedness and/or grammatical anarchy? /Ulrike Freywald, Horst J. Simon, editorBerlin, Germany :Language Science Press,2022.1 online resource (ii, 386 pages)Empirically Oriented Theoretical Morphology and SyntaxII Identifying heads -- III Watching heads -- IV Doing without heads -- Index -- Copyright.In most grammatical models, hierarchical structuring and dependencies are considered as central features of grammatical structures, an idea which is usually captured by the notion of "head" or "headedness". While in most models, this notion is more or less taken for granted, there is still much disagreement as to the precise properties of grammatical heads and the theoretical implications that arise of these properties. Moreover, there are quite a few linguistic structures that pose considerable challenges to the notion of "headedness". Linking to the seminal discussions led in Zwicky (1985) and Corbett, Fraser, & Mc-Glashan (1993), this volume intends to look more closely upon phenomena that are considered problematic for an analysis in terms of grammatical heads. The aim of this book is to approach the concept of "headedness" from its margins. Thus, central questions of the volume relate to the nature of heads and the distinction between headed and non-headed structures, to the process of gaining and losing head status, and to the thought-provoking question as to whether grammar theory could do without heads at all. The contributions in this volume provide new empirical findings bearing on phenomena that challenge the conception of grammatical heads and/or discuss the notion of head/headedness and its consequences for grammatical theory in a more abstract way. The collected papers view the topic from diverse theoretical perspectives (among others HPSG, Generative Syntax, Optimality Theory) and different empirical angles, covering typological and corpus-linguistic accounts, with a focus on data from German.Empirically Oriented Theoretical Morphology and SyntaxHead-driven phrase structure grammarHead-driven phrase structure grammar.415Freywald UlrikeSimon Horst J.NjHacINjHaclBOOK9910640100303321Headedness and3017077UNINA