01420nam0 22003011i 450 UON0033678620231205104242.60020091008d1978 |0itac50 baitaIT|||| 1||||ˆIl ‰grande bugiardocome la stampa manipola l'informazioneun caso esemplareGünter Wallraffprefazione di Enzo CollottiMilano : Feltrinelli1978210 p.21 cmTit. orig.: Der Aufmacher. Der Mann der bei "Bild" Hans Esser war. Trad. di Martin Mair.001UON000191062001 Attualità210 MilanoFeltrinelliUON00378748ˆDer ‰Aufmacher. Der Mann der bei "Bild" Hans Esser war29866ITMilanoUONL000005830Letteratura tedesca21WallraffGünterUONV190338CollottiEnzoUONV078653FeltrinelliUONV246160650ITSOL20250228RICAUON00336786SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI A D 0057 SI SC 5879 5 0057 BuonoSIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI TED CNR 335 SI CNT335 5 335 Aufmacher. Der Mann der bei 'Bild' Hans Esser war29866UNIOR02264nam 2200361z- 450 991063777050332120221223(CKB)5470000001631773(oapen)https://directory.doabooks.org/handle/20.500.12854/95582(oapen)doab95582(EXLCZ)99547000000163177320202212d2022 |y 0gerurmn|---annantxtrdacontentcrdamediacrrdacarrierStudien zu Cord Borgentrik'Regina Coeli' Im Werk des Bildschnitzers zwischen Tradition und KirchenreformUniversitätsverlag Göttingen20221 online resource3-86395-563-3 Cord Borgentrik (about 1430-1501) was a quite successful image carver with an own large studio in Braunschweig in the second half of the 15th century. Traces of his activity which show the influence of Dutch realism are to be found in the region of Braunschweig, in Westphalia, in the region around Goettingen, Gandersheim, and in Halle. The study discusses two of his major altarpieces that have survived. It focusses on how iconography and spiritual message of the works are dependent on the ideas of Borgentrik´s monastic commissioners. The Mary Retable of the parish church of Hemmerde in Westphalia which was completed in 1483 and even signed by Borgentrik (now in the Städtische Museum Braunschweig) was commissioned by the Premonstratensian monks of the monastery of Scheda, whereas the Mary Retable of St. Nicolai church in Alfeld (Lower Saxony), which long can be found in the Minoritenkirche Cologne, was commissioned by the Cistercian monks of Marienrode. In both cases Mary is shown as Regina Coeli in the way the Byzantine Hodegetria is represented. The study analyzes the Christological and Mariological presuppositions that underlie the iconography of both retables.Studien zu Cord Borgentrik The Artsbicsschistory of artregina coelisculptorThe ArtsEberle Helgaauth1292473BOOK9910637770503321Studien zu Cord Borgentrik3022363UNINA