04271oam 2200805 n 450 991063409790332120230613171237.0979-1-255-00019-810.4000/books.aaccademia.11990(CKB)4100000012898927(FrMaCLE)OB-aaccademia-11990(EXLCZ)99410000001289892720221214j|||||||| ||| 0enguu||||||m||||On Reenactment: Concepts, Methodologies, Tools /Cristina Baldacci, Susanne FrancoTorino :Accademia University Press,2022.1 online resource (208 pages)979-1-255-00017-4 This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective.On ReenactmentTheaterrievocazione storicastoria della danza e dell'arteperformance teatralerievocazione come strategia di appropriazionereconstitutionhistoire de la danse et de l'artreprésentation théâtralela reconstitution comme stratégie d'appropriationreenactmenthistory of dance and arttheatrical performancereenactment as a strategy of appropriationTheaterrievocazione storicastoria della danza e dell'arteperformance teatralerievocazione come strategia di appropriazionereconstitutionhistoire de la danse et de l'artreprésentation théâtralela reconstitution comme stratégie d'appropriationreenactmenthistory of dance and arttheatrical performancereenactment as a strategy of appropriationAlemani Cecilia731660Baldacci Cristina475509Benzaquen-Gautier Stéphanie1363261Després Aurore1363262De Laet Timmy1363263Foellmer Susanne1363264Franco Francesca1264869Franco Susanne298298Franko Mark1005656Giannachi Gabriella783245Lucchetti Matteo1363265Lütticken Sven1363266Mudu Stefano1363267Ngcobo Gabi1363268Ruprecht Lucia1363269Siegmund Gerald887181Temkin Daniel1363270Traub Susanne1363271FR-FrMaCLEBOOK9910634097903321On Reenactment: Concepts, Methodologies, Tools3383202UNINA