04477nam 2200469 450 991063393890332120230417010047.09783031175909(electronic bk.)9783031175893(MiAaPQ)EBC7150647(Au-PeEL)EBL7150647(CKB)25510411800041(OCoLC)1352975017(EXLCZ)992551041180004120230417d2022 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierViewing photography in post-dictatorship Latin America visual interruptions, 1997-2016 /David RojinskyCham, Switzerland :Palgrave Macmillan,[2022]©20221 online resource (305 pages)Print version: Rojinsky, David Viewing Photography in Post-Dictatorship Latin America Cham : Springer International Publishing AG,c2023 9783031175893 Includes bibliographical references and index.Intro -- Acknowledgements -- Contents -- Abbreviations -- List of Figures -- Chapter 1: Visual Interruptions -- Visual Politics and Photographic Memory Art -- The Index and the Beholder -- Visual Interruptions in Memory Art -- Identification and Disidentification Photographs -- Positioning the Viewer -- Between Affect and Critical Inquiry -- Taking Position on a Global Historical Memory -- References -- Chapter 2: Vernacular Presence -- Early Human Rights Archives -- Oppositional Photography in the 1980s -- A Post-Dictatorship Photographic Aesthetic -- Family Photography and the Family Trope -- Marking Irreparable Family Loss -- Vernacular Photographies in Love against Oblivion -- Your Photographs -- Beyond Identification: Empathic Vision -- Techniques of Interrupted Viewing -- Visual Politics, Memory, and Gallery Installations -- References -- Chapter 3: Imagined Genealogies -- The National Photo-Album -- The Argentine Family as Contested Trope -- From Victimhood to Photographic Memory Art, 1997-2016 -- Lucila Quieto's Filiación (2013-2016) -- Obama-Macri and the Fortieth Anniversary -- The End of Photography and the Trace of History -- Reviewing Arqueología de la ausencia (Archaeology of Absence) -- Sitios de Memoria (2008-2012) (Memory Sites)42 -- Family Frames and Geopolitical Histories -- References -- Chapter 4: Memory Walls -- Photographic Counter-Monuments -- Urban Interventions in Chile under Military Rule -- The Continued Relevance of Luz Donoso's Interventions -- Formulación 335 (Formulation 335) -- Interventions in the Street and the Endless Banner -- The Rise and Fall of the Memory Wall -- Other Walls of Faces -- The Afterlife of the Memory Wall: Nécrosis (2015) -- Aesthetic Reframing and the Critical Gaze -- Imprints of Historical Decay -- References -- Chapter 5: Absent Gazes -- Turning the Page in Post-Dictatorship Uruguay.Visual Politics and the Photography of Protest -- Reframing the Archive in Uruguayan Art Photography -- Absent Gazes -- From Exile to Memory -- Absent Gazes in the Street (2008-2009) -- Faces of the Other -- Hauntology and Justice -- Rejecting the Face -- A National Work of Mourning -- Nomadic Images, Memorials and Shopping Centres -- References -- Chapter 6: Never Again! -- Guatemala. Never Again: Texts and Images -- Visual Clarification -- The Invisibility of Guatemala's Past -- On the Global Stage -- An Angelic Intervention -- Of Documents and Monuments -- Projected Faces in Guatemala City -- An International Aesthetic of Urban Intervention -- The Global Angel and Holocaust Discourse -- From Universal Victimhood to the Angel of the Present -- References -- Chapter 7: Disappeared (Epilogue) -- Photojournalism, Revolution and Celebrity -- The Ideological End(S) of Photojournalism -- Global Disappearance -- Interrupting Affect. Interrupting Time? -- References -- Index.Collective memoryHistoriography and photographyMemory in artCollective memory.Historiography and photography.Memory in art.909Rojinsky David1271510MiAaPQMiAaPQMiAaPQ9910633938903321Viewing Photography in Post-Dictatorship Latin America2995258UNINA