02081nam 22005413 450 991063288020332120230621140756.01-4529-6947-71-4529-6858-61-4529-6859-4(MiAaPQ)EBC30191390(Au-PeEL)EBL30191390(CKB)25360837100041(OCoLC)1349460570(MdBmJHUP)musev2_100005(oapen)https://directory.doabooks.org/handle/20.500.12854/94667(EXLCZ)992536083710004120221120d2023 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierChinese Film Realism and Convention from the Silent Era to the Digital Age1st ed.University of Minnesota Press2022Piraí :University of Minnesota Press,2023.©2022.1 online resource (416 pages)1-5179-1403-5 "In Chinese Film, Jason McGrath traces the varied claims to cinematic realism made by Chinese filmmakers, critics, and scholars. He presents realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real, envisioning it as more than just a cinematic question and showing how the struggle for realism is central to the Chinese struggle for modernity itself."--Provided by publisher.PERFORMING ARTS / Film / History & CriticismbisacshRealism in motion picturesMotion picturesChinaHistoryFilm history, theory & criticismPERFORMING ARTS / Film / History & Criticism.Realism in motion pictures.Motion picturesHistory.791.430951PER004030bisacshMcGrath Jason835425MiAaPQMiAaPQMiAaPQBOOK9910632880203321Chinese Film2991218UNINA