00991nam0-22003611i-450 99000182902040332120210316133219.088-206-4403-7000182902FED01000182902(Aleph)000182902FED0100018290220030910d1999----km-y0itay50------baitaITa-------001yy<<Le >>piante e l'inquinamento dell'ariaGiacomo Lorenzini2. ed.BolognaEdagricole1999XIX, 335 p.ill.26 cmFitopatologiaDanni da inquinamentoInquinamento ambientale581.2632.1923itaLorenzini,Giacomo64256ITUNINARICAUNIMARCBK99000182902040332160 632.19 LORG 19997501FAGBCFAGBCPiante e l'inquinamento dell'aria74801UNINA02647nam 2200421 450 991062958510332120230515043544.010.1515/9783110775761(CKB)5590000001000932(NjHacI)995590000001000932(EXLCZ)99559000000100093220230515d2022 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierImage, Text, Stone Intermedial Perspectives on Graeco-Roman Sculpture /edited by Nikolaus Dietrich and Johannes FouquetBerlin ;Boston :De Gruyter,[2022]©20221 online resource (viii, 374 pages) illustrationsMateriale Textkulturen ;363-11-077580-8 This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and 'decorative' marble-objects, and through its methodological emphasis on 'close viewing' (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its 'long life', the viewing and 'reading' of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context.Materiale Textkulturen ;36.Sculpture, ClassicalSculpture, GreekSculpture, Classical.Sculpture, Greek.733Dietrich NikolausFouquet JohannesNjHacINjHaclBOOK9910629585103321Image, Text, Stone2898702UNINA