03359nam 2200469 450 991062439570332120230316143843.09783030968069(electronic bk.)9783030968052(MiAaPQ)EBC7127707(Au-PeEL)EBL7127707(CKB)25219365100041(EXLCZ)992521936510004120230316d2022 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierHamlet after deconstruction /Aneta MancewiczCham, Switzerland :Palgrave Macmillan,[2022]©20221 online resource (241 pages)Adaptation in theatre and performancePrint version: Mancewicz, Aneta Hamlet after Deconstruction Cham : Springer International Publishing AG,c2023 9783030968052 Includes bibliographical references and index.Intro -- Acknowledgments -- Contents -- About the Author -- 1 Introduction -- Deconstruction -- Adaptation -- Deconstructive Adaptation -- European Reception of Hamlet -- Methodology and Structure -- References -- Part I Supplements of Action -- 2 Supplement -- Supplement -- Conclusion -- References -- 3 Rosencrantz and Guildenstern Are Dead, Tom Stoppard -- Deconstructive Dialectics -- Action and Inaction -- Memory and Amnesia -- Logic and Absurdity -- Conclusion -- References -- 4 Ophelias Zimmer, Alice Birch and Katie Mitchell -- Hamlet's Theatre Tradition -- Mitchell's Feminist Agenda -- Action and Inaction -- Loudness and Silence -- Feminist Validation and Deconstructive Unsettling -- Conclusion -- References -- 5 Fortinbras Gets Drunk, Janusz Głowacki -- Hamlet in Communist Poland -- Fortinbras as a Supplement: Politics and Deconstruction -- Two Methods of Supplementation -- Dialectical Characterisation -- Control and Chaos -- Conclusion -- References -- Part II Différance: Machines and Mixed Realities -- 6 Différance -- Différance -- Conclusion -- References -- 7 The Hamletmachine, Heiner Müller -- Machine -- Hamlet + Machine -- Hamlet + Machine and Ophelia + Machine -- History + Machine -- Conclusions -- References -- 8 Hamlet's Lunacy, CREW -- Contexts -- Identities -- Perceptions -- Conclusion -- References -- Part III Traces of Hamlet -- 9 Trace -- Trace -- Conclusion -- References -- 10 Kitsch Hamlet, Saverio La Ruina -- Tragedy and Burlesque -- Setting and Design -- Family -- Hamlet -- Ophelia -- Gender and Madness -- Conclusion -- References -- 11 Factory, Igor Bauersima -- Silkscreen Printing as a Method of Adaptation -- From Heroes to Celebrities -- TV and Theatre Audiences -- Conclusion -- References -- 12 Conclusion -- References -- Index.Adaptation in theatre and performance.European literatureRenaissance, 1450-1600TheaterHistoryTheaterProduction and directionEuropean literatureTheaterHistory.TheaterProduction and direction.808.80024Mancewicz Aneta719711MiAaPQMiAaPQMiAaPQ9910624395703321Hamlet after Deconstruction2963425UNINA