01706nam 2200337 n 450 991062398980332120230512212751.0(CKB)5680000000135913(NjHacI)995680000000135913(EXLCZ)99568000000013591320230512d2022 uy 0gerur|||||||||||txtrdacontentcrdamediacrrdacarrierMotetten am Hof MaximiliansII(1527-1576) Komponieren em Zeitalter der Konfessionalisierung /Jonas PfohlWien :Hollitzer,2022.1 online resource (536 pages)In the present volume sacred motets composed by members of the chapel of the Archduke and later Emperor Maximilian II - among them Jacobus Vaet, Philippe de Monte and Jacob Regnart - are documented and analysed for the first time. The chapel and its repertoire cultivated at the court not only served as a means for the representation of the court but also needed to comply with the emperor's personal artistic and religious wishes. Maximilian II officially confessed to the Roman-Catholic church but personally sympathised with the Reformation. Therefore, the analysis of the texts and music addresses also the question of how the gap between the Roman-Catholic ceremony at court and the emperor's personal faith is reflected in motets.Motetten am Hof Maximilians II. MotetsMotets.264.06502Pfohl Jonas1296603NjHacINjHaclBOOK9910623989803321Motetten am Hof Maximilians3362985UNINA