03488nam 2200601 450 991080948540332120230803204309.094-012-1099-310.1163/9789401210997(CKB)3710000000221424(EBL)1696765(SSID)ssj0001350963(PQKBManifestationID)11813386(PQKBTitleCode)TC0001350963(PQKBWorkID)11296650(PQKB)10020311(MiAaPQ)EBC1696765(OCoLC)881425493(OCoLC)880913732(nllekb)BRILL9789401210997(Au-PeEL)EBL1696765(CaPaEBR)ebr10907836(CaONFJC)MIL637666(OCoLC)887498713(EXLCZ)99371000000022142420140820h20142014 uy 0engur|n|---|||||txtccrWittgenstein as philosophical tone-poet philosophy and music in dialogue /Béla SzabadosAmsterdam, Netherlands ;New York :Rodopi,2014.©20141 online resource (221 p.)Studien zur Österreichischen Philosophie ;Band 45Description based upon print version of record.1-322-06415-6 90-420-3857-8 Includes bibliographical references and index.Preliminary Material -- Acknowledgements -- Introduction -- A Life in Music -- Early Views: Wittgenstein’s Vienna Revisited -- Wittgenstein in Transit: A Critique of the Tradition -- Later Views: A New Era -- Wittgenstein and the Composers -- Breakdown of Tradition -- Philosophy, Music and Therapy -- Bibliography -- Index -- Appeared earlier in the series: STUDIEN ZUR ÖSTERREICHISCHEN PHILOSOPHIE.This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein’s life and work. Wittgenstein’s remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and thought. For Wittgenstein music is not alone, but connects and resonates with our cultural forms of life. His relation to composers, especially to Richard Wagner and Gustav Mahler, enables Wittgenstein to address the question of how to do philosophy and compose music in the breakdown of tradition. Unlike his conservative musical sensibility, Wittgenstein’s philosophy is open to musical experiments. Reflecting on his remarks on music makes it possible to compare the therapeutic aim of his philosophical activity with that of music, and thus notice affinities between Wittgenstein and John Cage.Studien zur österreichischen Philosophie ;Band 45.Semantics (Philosophy)History20th centurySemantics (Philosophy)History121.680924Szabados Béla1611710MiAaPQMiAaPQMiAaPQBOOK9910809485403321Wittgenstein as philosophical tone-poet3940086UNINA01579oam 2200445zu 450 991061912420332120210807004205.00-7695-4225-5(CKB)3360000000370796(SSID)ssj0001004466(PQKBManifestationID)12336668(PQKBTitleCode)TC0001004466(PQKBWorkID)11038468(PQKB)10062210(EXLCZ)99336000000037079620160829d2010 uy engtxtccrInternational Conference on Artificial Intelligence and Computational Intelligence : proceedings, Sanya, China, 23-24 October 2010[Place of publication not identified]IEEE Computer Society2010Bibliographic Level Mode of Issuance: MonographAICI 2010Artificial intelligenceCongressesComputational intelligenceCongressesEngineering & Applied SciencesHILCCComputer ScienceHILCCArtificial intelligenceComputational intelligenceEngineering & Applied SciencesComputer ScienceDeng HepuIEEE Computer SocietyInstitute of Electrical and Electronics EngineersPQKBPROCEEDING9910619124203321International Conference on Artificial Intelligence and Computational Intelligence : proceedings, Sanya, China, 23-24 October 20102413763UNINA