05593nam 22007695 450 991059009020332120230810175319.03-031-05694-910.1007/978-3-031-05694-9(MiAaPQ)EBC7077648(Au-PeEL)EBL7077648(CKB)24739665900041(DE-He213)978-3-031-05694-9(PPN)264194705(EXLCZ)992473966590004120220824d2022 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierParticipatory Practices in Art and Cultural Heritage Learning Through and from Collaboration /edited by Christoph Rausch, Ruth Benschop, Emilie Sitzia, Vivian van Saaze1st ed. 2022.Cham :Springer International Publishing :Imprint: Springer,2022.1 online resource (181 pages)Studies in Art, Heritage, Law and the Market,2524-7433 ;5Print version: Rausch, Christoph Participatory Practices in Art and Cultural Heritage Cham : Springer International Publishing AG,c2022 9783031056932 Includes bibliographical references.Introduction -- Crowdsourcing cultural heritage as democratic practice -- Participatory and Discursive Place Making in Augmented Reality (AR) Public Art -- Documenting the Participants Point of View: Rethinking the Epistemology of Participation -- Displaying Co-Creation: An Enquiry into Participatory Engagement at the University Museum -- Affirming Change in Participatory Practice of Cultural Conservation -- Getting out of the Groove: On Calibrating Roles in Collaborative Artistic Research -- The Social Potential of Interactive Walking -- Beethoven as Dialogue: Doing Participation Differently in Symphonic Music -- Online Participatory Design of Heritage Projects -- Effecting Social Change Through Participative Mediation -- The People’s Salon: A Pragmatist Approach to Audience Participation in Symphonic Music -- Performing Collaboration: Lecturing on the Lecture .This edited volume analyzes participatory practices in art and cultural heritage in order to determine what can be learned through and from collaboration across disciplinary borders. Following recent developments in museology, museum policies and practices have tended to prioritize community engagement over a traditional focus on collecting and preserving museal objects. At many museal institutions, a shift from a focus on objects to a focus on audiences has taken place. Artistic practices in the visual arts, music, and theater are also increasingly taking on participatory forms. The world of cultural heritage has seen an upsurge in participatory governance models favoring the expertise of local communities over that of trained professionals. While museal institutions, artists, and policy makers consider participation as a tool for implementing diversity policy, a solution to social disjunction, and a form of cultural activism, such participation has also sparked a debate on definitions, and on issues concerning the distribution of authority, power, expertise, agency, and representation. While new forms of audience and community engagement and corresponding models for “co-creation” are flourishing, fundamental but paralyzing critique abounds and the formulation of ethical frameworks and practical guidelines, not to mention theoretical reflection and critical assessment of practices, are lagging. This book offers a space for critically reflecting on participatory practices with the aim of asking and answering the question: How can we learn to better participate? To do so, it focuses on the emergence of new norms and forms of collaboration as participation, and on actual lessons learned from participatory practices. If collaboration is the interdependent formulation of problems and entails the common definition of a shared problem space, how can we best learn to collaborate across disciplinary borders and what exactly can be learned from such collaboration?Studies in Art, Heritage, Law and the Market,2524-7433 ;5International lawLawPhilosophyLawHistoryHuman rightsCultural propertyCultural propertyProtectionCultureStudy and teachingSources and Subjects of International Law, International OrganizationsTheories of Law, Philosophy of Law, Legal HistoryHuman RightsCultural HeritageCultural Resource ManagementVisual CultureInternational law.LawPhilosophy.LawHistory.Human rights.Cultural property.Cultural propertyProtection.CultureStudy and teaching.Sources and Subjects of International Law, International Organizations.Theories of Law, Philosophy of Law, Legal History.Human Rights.Cultural Heritage.Cultural Resource Management.Visual Culture.306363.69Rausch ChristophMiAaPQMiAaPQMiAaPQBOOK9910590090203321Participatory practices in art and cultural heritage3363991UNINA02502nam0 22004813i 450 SBL058003620251003044357.0IT75-4883 IT766107 19910930d1974 ||||0itac50 baitaitaitz01i xxxe z01nz01ncRDAcarrierCrescita e specializzazione produttiva in un'economia apertaun'analisi teorica ed empirica con particolare riferimento all'economia italianaLuciano BoggioMilanoVita e pensiero1974VII, 141 p.22 cm .Scienze economiche1001CFI00499452001 Scienze economiche1Crescita e specializzazione produttiva in un'economia apertaTSA1811007SBLV1895001042359Commercio internazionaleModelli matematiciFIRCFIC018373I338.001PRODUZIONE. FILOSOFIA E TEORIA20382COMMERCIO INTERNAZIONALE (COMMERCIO ESTERO)2038221382Commercio internazionale (Commercio estero)23Commercio mondialeCommercio esteroScambi internazionaliCommercio con l'esteroCommercio internazionaleCommercio mondialeCommercio internazionaleCommercio esteroCommercio internazionaleScambi internazionaliCommercio internazionaleCommercio con l'esteroBoggio, LucianoSBLV189500070438144Boggio, L.TSAV688084Boggio, LucianoITIT-00000019910930IT-BN0095 IT-NA0079 IT-BN0098 NAP BNB Comprende volumi con collocazioni per formato catalogati prima del 1987. La consegna del doc. é effettuata dall'Uff. Distribuzione.NAP CUVITA E P. $NAP 01POZZO LIB.Vi sono collocati fondi di economia, periodici di ingegneria e scienze, periodici di economia e statistica e altri fondi comprendenti documenti di economia pervenuti in dono. SBL0580036Biblioteca Centralizzata di Ateneo1 v. 01POZZO LIB.F. PARRAVICINI 66 0101 0600159175E VMA 1 v. (Precedente collocazione P 62)B 2022072120220721 01 BN CUCrescita e specializzazione produttiva in un'economia aperta1042359UNISANNIO