02590 am 2200589 n 450 9910588800303321202201042-7297-1317-410.4000/books.pul.42215(CKB)4100000012892263(FrMaCLE)OB-pul-42215(oapen)https://directory.doabooks.org/handle/20.500.12854/91931(PPN)264713273(EXLCZ)99410000001289226320220829j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierLire Les Faux-Monnayeurs /Pierre MassonLyon Presses universitaires de Lyon20221 online resource (212 p.) André Gide - Textes et correspondances2-7297-0856-1 « Je tire la barre, et laisse au lecteur le soin de l’opération ; addition, soustraction, peu importe : j’estime que ce n’est pas à moi de la faire », note Gide, arrivant à la fin de la rédaction des Faux-Monnayeurs. Première œuvre qu’il ne qualifie plus de « récit » ou de « sotie » et qui bouscule les règles romanesques de l’époque, elle est particulièrement difficile à résumer, tant les intrigues et les points de vue s’enchevêtrent. Dans cette nouvelle édition de l’essai paru en 1990, révisée et complétée par des annexes, Pierre Masson prend en charge « l’opération » : il aide le lecteur à démêler les nœuds grâce à une analyse minutieuse de la structure du roman, de la foule des personnages et du symbolisme de la mise en scène. Éclairant également les allusions personnelles égrenées au fil du texte, il s’attache à révéler la singularité du regard gidien.Literature (General)littérature françaiselittératurelittérature épistolaireXXe siècleanalyselettrelittérature françaiselittératurelittérature épistolaireXXe siècleanalyselettreLiterature (General)littérature françaiselittératurelittérature épistolaireXXe siècleanalyselettreMasson Pierre174491FR-FrMaCLEBOOK9910588800303321Lire Les Faux-Monnayeurs3032678UNINA04118oam 2200697I 450 991078542010332120151002020706.01-317-48871-71-317-48872-51-315-71036-61-282-94737-097866129473771-84465-419-210.4324/9781315710365 (CKB)2670000000066191(EBL)1886896(SSID)ssj0000475170(PQKBManifestationID)12160517(PQKBTitleCode)TC0000475170(PQKBWorkID)10463360(PQKB)10515125(MiAaPQ)EBC1886896(Au-PeEL)EBL1886896(CaPaEBR)ebr10455552(CaONFJC)MIL294737(OCoLC)842279176(OCoLC)958107866(FINmELB)ELB135944(UkCbUP)CR9781844654192(EXLCZ)99267000000006619120180706e20142008 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierClothes /John HarveyLondon ;New York :Routledge,2014.1 online resource (ix, 134 pages) digital, PDF file(s)The art of living seriesFirst published 2008 by Acumen.1-138-15828-3 1-84465-150-9 Includes bibliographical references and index.The incident in Stubbylee Park --Why can't we trust our clothes? --On trend, off trend: fashion and freedom --What shall I wear, who shall I be? --Clothes and the body within the clothes --Team colours --Couturiers and objets d'art --Conclusion: dream clothes and future clothes.Clothes protect our vulnerable skin and they keep us warm or cool. They help us show that we are young or old, rich or poor, at work or play, and whether we may be good to know. But though they are basic, much as food and shelter are – and also may be beautiful – they have long had a bad press in serious, moral and philosophical writing. The main reason for this is that they are external to us, a cover we may hide behind, and one on which some people spend too much money, perfecting a pompous plumage of vanity: also they, and the fashions for them, may not last long. Nonetheless, when we choose our own clothes, we know the choice is a sensitive matter and far from being merely superficial. John Harvey considers the overlapping values that clothes have for us. Clothes both cover and advertise the bodies within them. They help make us the men and women we are, and help us to attract each other. They enroll us in groups, from our own circle to our generation worldwide; and they show just how, as individuals, we want to be noticed. Clothes, like their wearers, may compete in claiming power. They may also, on and off the catwalk, compete to claim the spotlight. In sum they show how we think we matter – and they can matter themselves in ways that may be intimate and even crucial to us. At all times clothes have demanded attention, even when they have been castigated for their vanity, and contemporary opinion is still divided. Are clothes the most frivolous of consumer disposables – or are they, however extravagant, art? Though we wear and see them every day, the value that they have for us is multiple and fugitive and hard to catch exactly. Clothes attempts to sort the many-coloured wardrobe which marks off mankind from other creatures.Art of living series (Acumen Publishing)Clothing and dressClothing and dressSocial aspectsClothing and dressPsychological aspectsClothing and dress.Clothing and dressSocial aspects.Clothing and dressPsychological aspects.391Harvey John.37852UkCbUPUkCbUPBOOK9910785420103321Clothes3734196UNINA