01994nam 2200649Ia 450 991045413130332120200520144314.097866122680381-282-26803-1(CKB)1000000000722117(OCoLC)652277034(CaPaEBR)ebrary10274605(SSID)ssj0000486825(PQKBManifestationID)11339193(PQKBTitleCode)TC0000486825(PQKBWorkID)10429926(PQKB)11291928(MiAaPQ)EBC3052911(Au-PeEL)EBL3052911(CaPaEBR)ebr10274605(OCoLC)191827167(EXLCZ)99100000000072211719940831d1995 uy 0engurcn|||||||||txtccrPublic economics in action[electronic resource] the basic income/flat tax proposal /A.B. AtkinsonOxford Clarendon Press ; New York : Oxford Univesity Pressc19951 online resource (184 p.)The Lindahl lecturesBibliographic Level Mode of Issuance: Monograph0-19-828336-9 0-19-152131-0 Includes bibliographical references (p. [157]-164) and index.Lindahl lectures.Income taxFlat-rate income taxSocial securityFinanceGuaranteed annual incomeSocial choiceElectronic books.Income tax.Flat-rate income tax.Social securityFinance.Guaranteed annual income.Social choice.336.2/4215Atkinson A. B(Anthony Barnes),1944-883290MiAaPQMiAaPQMiAaPQBOOK9910454131303321Public economics in action2230460UNINA05128nam 22006375 450 991058858990332120240509012038.09783031090943(electronic bk.)978303109093610.1007/978-3-031-09094-3(MiAaPQ)EBC7076739(Au-PeEL)EBL7076739(CKB)24735731000041(DE-He213)978-3-031-09094-3(EXLCZ)992473573100004120220820d2022 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThe Festival Cities of Edinburgh and Adelaide /by Sarah Thomasson1st ed. 2022.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2022.1 online resource (229 pages)Print version: Thomasson, Sarah The Festival Cities of Edinburgh and Adelaide Cham : Springer International Publishing AG,c2022 9783031090936 Includes bibliographical references and index.Chapter 1: Introduction: The Festival Cities of Edinburgh and Adelaide -- Chapter 2: The Place Myth of the Festival City -- Chapter 3: Culture Wars: The Festivalisation of Public Space -- Chapter 4: Entrepreneurialism on the Fringe -- Chapter 5: Performing Nation: Revisionist Histories on the World Stage -- Chapter 6: Conclusion: Looking Beyond the Pandemic.Through a nuanced interdisciplinary engagement with cultural geography and theatre and performance studies, and a detailed comparative transnational analysis that goes beyond conventional Euro-American focuses, Festival Cities of Edinburgh and Adelaide shows why we urgently need to pay attention to festivals' profound cultural and political impacts on contemporary urban life. ---Jen Harvie, Queen Mary University of London In this thoroughly researched interdisciplinary study Sarah Thomasson explores the mutually constitutive relationship between the Edinburgh and Adelaide Festivals and the cities that host them. Located at the intersection of Cultural Geography and Theatre and Performance Studies, The Festival Cities of Edinburgh and Adelaide provides a detailed materialist analysis of the place-making function of festival cultures that extends beyond the city to the nations they come to represent. ---Ric Knowles, author of International Theatre Festivals and 21st-Century Interculturalism The Festival Cities of Edinburgh and Adelaide examines how these cities' world-famous arts events have shaped and been shaped by their long-term interaction with their urban environments. While the Edinburgh International Festival and Adelaide Festival are long-established, prestigious events that champion artistic excellence, they are also accompanied by the two largest open-access fringe festivals in the world. It is this simultaneous staging of multiple events within Edinburgh's Summer Festivals and Adelaide's Mad March that generates the visibility and festive atmosphere popularly associated with both places. Drawing on perspectives from theatre studies and cultural geography, this book interrogates how the Festival City, as a place myth, has developed in the very different local contexts of Edinburgh and Adelaide, and how it is challenged by groups competing for the right to use and define public space. Each chapter examines a recent performative event in which festival debates and controversies spilled out beyond the festival space to activate the public sphere by intersecting with broader concerns and audiences. This book forges an interdisciplinary, comparative framework for festival studies to interrogate how festivals are embedded in the social and political fabric of cities and to assess the cultural impact of the festivalisation phenomenon. Sarah Thomasson is Lecturer in Theatre at Te Herenga Waka - Victoria University of Wellington in Wellington, Aotearoa New Zealand. Her research interests include international arts festivals, space and place in performance, contemporary feminist performance, and digital research methods for theatre.TheaterPerforming artsHuman geographyCultural geographyCultural propertyGlobal and International Theatre and PerformanceTheatre and Performance ArtsSocial and Cultural GeographyCultural HeritageTheater.Performing arts.Human geography.Cultural geography.Cultural property.Global and International Theatre and Performance.Theatre and Performance Arts.Social and Cultural Geography.Cultural Heritage.994.23700.744134Thomasson Sarah1254044MiAaPQMiAaPQMiAaPQ9910588589903321The Festival Cities of Edinburgh and Adelaide2907941UNINA