02209nam 2200409z- 450 991058029620332120240401204949.03-96091-597-7(CKB)5680000000055516(oapen)https://directory.doabooks.org/handle/20.500.12854/84700(EXLCZ)99568000000005551620202206d2022 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierAutofiction(s) et scandaleMunichAkademische Verlagsgemeinschaft München (AVM)20221 electronic resource (204 p.)Romanische Studien Beihefte3-95477-136-5 The reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to an indeterminable ""fictional"" part of their work on the other. The underlying interferences between fictional and factual narrative strategies seem to predestine autofiction for the representation and provocation of scandal. This volume brings together contributions that illuminate the relationship between autofiction and scandal from epistemological, literary-historical and reception-aesthetic perspectives and explore ethical questions of the demarcation between public and private space.AutofictionProse: non-fictionbicsscnarratology; literary scandal; literary provocation; intertextuality; aesthetics of scandal; sociobiography; reception authorities; writer's stage design; close reading; distant reading; autobiographyProse: non-fictionJacobi Claudiaedt611037Ott ChristineedtSchönwälder LenaedtJacobi ClaudiaothOtt ChristineothSchönwälder LenaothBOOK9910580296203321Autofiction(s) et scandale3025452UNINA