03502nam 22005895 450 991057406400332120230810174238.09783030905422(electronic bk.)978303090541510.1007/978-3-030-90542-2(MiAaPQ)EBC6994989(Au-PeEL)EBL6994989(CKB)22444488200041(DE-He213)978-3-030-90542-2(EXLCZ)992244448820004120220519d2022 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierPractice as Research in the Arts (and Beyond) Principles, Processes, Contexts, Achievements /by Robin Nelson2nd ed. 2022.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2022.1 online resource (206 pages)Print version: Nelson, Robin Practice As Research in the Arts (and Beyond) Cham : Springer International Publishing AG,c2022 9783030905415 Includes bibliographical references and index.1. Introduction; Robin Nelson -- 2. Lineages and principles: the what, where, when and why of PaR; Robin Nelson -- 3. How to be both: from practitioner to practitioner-researcher; Robin Nelson -- 4. Concepts in Contexts; Robin Nelson -- 5. Process: documentation and publication; Robin Nelson -- 6. PaR doctorates - a guideline/clew to a successful outcome for all (candidates, examiners, supervisors, administrators, regulators); Robin Nelson -- 7. Asia(s); Maiya Murphy -- 8. Australasia; Suzanne Little -- 9. Nordic Contexts; Stefan Östersjö -- 10. North America; Bruce Barton -- 11. South Africa; Kat Lowe & Alex Halligey -- 12. South America; Ciane Fernandes & Melina Scialom.This project addresses the contexts of Practice as Research and how to undertake it. This second iteration updates thinking and practices but sustains a direct and clear approach on how to become a practitioner-researcher. New features include an extension of range "beyond" the arts and a case for intra-disciplinarity in Practice Research as an influence in the formation of the "future university". A comparison is made between Artistic Research and Practice Research recognizing that research through practices with being-doing-knowing is central to both. Acknowledging the current crisis in legitimation, a broad view is taken of how things might be known by an onto-epistemology for the twenty-first century foregrounding the bodymind but sustaining rationality and community by way of Other/other dialogic exchange. Perspectives from around the world in Part II offset the more Eurocentric emphasis in Part I.Performing artsTheaterArtPhilosophyResearchMethodologyTheatre and Performance ArtsTheory of ArtsResearch SkillsPerforming arts.Theater.ArtPhilosophy.ResearchMethodology.Theatre and Performance Arts.Theory of Arts.Research Skills.792.072700.72Nelson Robin1949-1176929MiAaPQMiAaPQMiAaPQ9910574064003321Practice as research in the arts (and beyond)2992586UNINA