02803nam 2200541z- 450 9910558695803321202205123-85448-047-4(CKB)5580000000302863(oapen)https://directory.doabooks.org/handle/20.500.12854/81325(oapen)doab81325(EXLCZ)99558000000030286320202205d2022 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierEmbodied gesturesViennaTU Wien Academic Press20221 online resource (166 p.)3-85448-048-2 This is a book about musical gestures: multiple ways to design instruments, compose musical performances, analyze sound objects and represent sonic ideas through the central notion of 'gesture'. The writers share knowledge on major research projects, musical compositions and methodological tools developed among different disciplines, such as sound art, embodied music cognition, human-computer interaction, performative studies and artificial intelligence. They visualize how similar and compatible are the notions of embodied music cognition and the artistic discourses proposed by musicians working with 'gesture' as their compositional material. The authors and editors hope to contribute to the ongoing discussion around creative technologies and music, expressive musical interface design, the debate around the use of AI technology in music practice, as well as presenting a new way of thinking about musical instruments, composing and performing with them.Acoustic & sound engineeringbicsscElectronic musicbicsscMusic recording & reproductionbicsscMusical instruments & instrumental ensemblesbicsscPerceptionbicsscUser interface design & usabilitybicsscExpression; Music; Musical experience; Body language; Composition <Music>; Avant-garde (Music); Electronic musical instruments;Acoustic & sound engineeringElectronic musicMusic recording & reproductionMusical instruments & instrumental ensemblesPerceptionUser interface design & usabilityTomás Enriqueedt1324260Gorbach ThomasedtTellioglu HildaedtKaltenbrunner MartinedtTomás EnriqueothGorbach ThomasothTellioglu HildaothKaltenbrunner MartinothBOOK9910558695803321Embodied gestures3036104UNINA