03240nam 2200865z- 450 991055752910332120231214132824.0(CKB)5400000000044287(oapen)https://directory.doabooks.org/handle/20.500.12854/68392(EXLCZ)99540000000004428720202105d2021 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierMusical InstrumentsAcoustics and VibrationBasel, SwitzerlandMDPI - Multidisciplinary Digital Publishing Institute20211 electronic resource (138 p.)3-03936-613-0 3-03936-614-9 The study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard.Musical Instruments Musicbicsscmusical hapticspianoauditory feedbacktactile feedbackbinaural audiokeyboard vibrationsmeasurementrecordingautoclaveout-of-autoclavevacuum-bag-onlyprocessingCFREplatesmodaldynamicmusical instrumentsintensity of acoustic radiationmodal analysisPersian musical instrumentssound efficiencyintensity of acoustic radiation (IAR)Carabattolafeature extractiontimbre modelingauditory perceptiontimbre spacePalaeolithicMousterianNeanderthalsmusical instrumentDivje babe Imicrophone arraywave field synthesisacoustic holographysamplersynthesizerdynamic range compressionmusic productionsemantic audioaudio mixing1176 compressorFET compressionlistening experimentMusicTronchin Lambertoedt1303350Tronchin LambertoothBOOK9910557529103321Musical Instruments3026929UNINA