00912nam a22002411i 450099100382579970753620040617103210.0040802s1928 fr |||||||||||||||||fre b13133901-39ule_instARCHE-108651ExLBiblioteca InterfacoltàitaA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.782.1092Brousson, Jean Jacques489086La conversion de Figaro :comédie /J. J. Brousson et R. EscholierParis :Cres et C.,19281 v. ;18 cmEscholier, Raymond.b1313390102-04-1405-08-04991003825799707536LE002 Fondo Giudici N 4112002000332202le002C. 1-E0.00-no 00000.i1377060305-08-04Conversion de Figaro309583UNISALENTOle00205-08-04ma -frefr 3104809nam 2201129z- 450 991055740280332120210501(CKB)5400000000043649(oapen)https://directory.doabooks.org/handle/20.500.12854/69149(oapen)doab69149(EXLCZ)99540000000004364920202105d2020 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierJapanese Transnational CinemaBasel, SwitzerlandMDPI - Multidisciplinary Digital Publishing Institute20201 online resource (134 p.)3-03936-156-2 3-03936-157-0 The aim of this Special Issue lies in expanding contemporary discussions on Japanese Cinema and its transnational aspects by applying new critical methodologies and stances and in revealing the contradictions inherent in the way the old paradigm of 'National Cinema' has traditionally been articulated. In order to do so, this publication highlights the limitations of assessing Japanese film as a cinematic phenomenon confined to its national borders. Throughout this issue, the concept of transnationality is not confined to a single definition and is instead used as an analytical framework which allow authors to surpass narrow perspectives that neglect the complex nature of Japanese film in terms of its esthetics, narratives, and theoretical approaches as well as production, consumption, and distribution systems. This volume casts light on the extraordinary international flows of images, stories, iconographies, and theories between Japan and other countries, and assesses the dialectic relationship between two apparently contradictory aspects: external influences and Japanese uniqueness, revealing how 'uniquely Japanese' films may ironically contain foreign codes of representation. Thus, the articles presented here bring a more comprehensive understanding of how global cultural flows have shaped local creativity. Some authors adopt additional transnational perspectives, through which they analyse how Japan is represented as 'other' from outside and how the rest of the world is represented by Japan, or propose a renewal of film theories on Japanese cinema that have traditionally been dominated by Western writings. Overall, manuscripts included in this publication help the reader to understand different ways in which Japan expands beyond Japanese Cinema and Japanese Cinema expands beyond Japan.Films, cinemabicsscThe Artsbicssc'kimono effect'(trans)national cinemaanimationart cinemaauteurcartoon moviecinema of placecinematic picturecontemporary Japanese cinemacultural blendingfatefemale authorshipfilm aestheticsfilm philosophyfilm studiesfilmsFranz Kafkageidōguiltideological analysisideologyikebanainternational film festivalsintertextualityJapan and SpainJapanese aestheticsJapanese cinemaJapanese EmpirekireKurosawaLi XianglanMacbethmetamorphosismise en abymemukokusekin/aNaomi Kawasenationnational cinemaNew LeftNew WaveNobuhiro SuwaNohNuberu Bagupostwar film festivalspropaganda filmsRi KoranShakespearetaiyōzokutheory of beautytragedytransculturaltranscultural thinkingtransculturalitytranslationtransnational imagerytransnational Japanese filmtransnationalitywomen directorsYamaguchi YoshikoYoshida Kijuyouth iconsFilms, cinemaThe ArtsCenteno Marcosedt1322507Morita NoriedtCenteno MarcosothMorita NoriothBOOK9910557402803321Japanese Transnational Cinema3035098UNINA