00727nam0-22002651i-450-990002842840403321000284284FED01000284284(Aleph)000284284FED0100028428420000920d1993----km-y0itay50------baENGJust-in-time manufacturingan introductionT.C.E. Cheng, S. Podolsky.LondonChapman & Hall1993226 p.Cheng,T.C.E.115644Podolsky,S.ITUNINARICAUNIMARCBK9900028428404033217-5-40-TI3519 DEAECAECAJust-in-time manufacturing417443UNINAING0102917nam 2200541 450 991055426990332120230607223831.00-226-75300-X10.7208/chicago/9780226753003(CKB)5490000000082091(MiAaPQ)EBC6578155(Au-PeEL)EBL6578155(OCoLC)1250089762(StDuBDS)EDZ0002359671(DE-B1597)582458(DE-B1597)9780226753003(EXLCZ)99549000000008209120200902d2021 fy| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierArtist as author action and intent in late-modernist American painting /Christa Noel Robbins[electronic resource]Chicago :The University of Chicago Press,2021.1 online resource (236 pages)Chicago scholarship onlineAlso issued in print: 2021.Print version: Robbins, Christa Noel Artist as Author Chicago : University of Chicago Press,c2021 9780226752952 Includes bibliographical references and index.Intro -- Contents -- Introduction. The Artist as Author -- Part I -- 1. The Act-Painting -- 2. The Expressive Fallacy -- 3. Rhetoric of Motives -- Part II -- 4. Self-Discipline -- 5. Event as Painting -- 6. Conclusion: Gridlocked -- Acknowledgments -- Notes -- Select Bibliography -- Index.Christa Noel Robbins provides an extended study of authorship in mid-20th century abstract painting in the US. Taking a close look at this influential period of art history, Robbins describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance, and social impact of the art object. Robbins tracks the subject across two definitive periods: the 'New York School' as it was consolidated in the 1950s and 'Post Painterly Abstraction' in the 1960s. Through many deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin along with those of critics such as Harold Rosenberg and Rosalind Krauss.Chicago scholarship online.Painting, AbstractUnited StatesPainting, American20th centuryModernism (Art)United StatesPainting, AbstractPainting, AmericanModernism (Art)759.130904LO 96690SEPArvkRobbins Christa Noel1219479StDuBDSStDuBDSBOOK9910554269903321Artist as author2819740UNINA01200nam0 22002771i 450 UON0003974220231205102140.32908-913026-4-620020107d1979 |0itac50 baengUS|||| 1||||ˆAn ‰Analysis of the textual character of the bohairic of deuteronomyby Melvin K.H. PetersMissoulaScholar Pressc. 1979. -III370 p. ; 22 cm001UON000164932001 Septuagint and Cognate Studies9ESEGESI BIBLICADEUTERONOMIOUONC002729FIMissoulaUONL000808SEB VI ABSTUDI EBRAICI - LETTERATURA - TESTI BIBLICI - CRITICA LETTERARIAAPETERSMelvin K.H.UONV025225647594Scholars PressUONV245999650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00039742SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI SEB VI AB 011 SI SA 37992 5 011 Analysis of the textual character of the bohairic of deuteronomy1154842UNIOR