03962nam 22005172 450 991055422800332120210710103012.090-485-4292-810.1515/9789048542925(CKB)4100000011917641(OCoLC)1250089048(MdBmJHUP)muse98561(UkCbUP)CR9789048542925(DE-B1597)576738(DE-B1597)9789048542925(MiAaPQ)EBC6578989(Au-PeEL)EBL6578989(EXLCZ)99410000001191764120210517d2021|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe home, nations and empires, and ephemeral exhibition spaces 1750-1918 /edited by Dominique Bauer and Camilla Murgia[electronic resource]Amsterdam :Amsterdam University Press,2021.1 online resource (275 pages) digital, PDF file(s)Spatial imageries in historical perspectiveTitle from publisher's bibliographic system (viewed on 11 Jun 2021).Elizabeth A. Pergam -- 8. Julia Margaret Cameron's Railway Station Exhibition: A Private Gallery in the Public Sphere -- Jeff Rosen -- 9. Paper Monument: The Paradoxical Space in the English Paper Peepshow of the Thames Tunnel, 1825-1843 -- Shijia Yu -- Index4. The Land that Never Was: Liminality of Existence and the Imaginary Spaces in the Archbishopric of Karlovci -- Jelena Todorovic -- 5. The Theatre of Affectionate Hearts: Izabela Czartoryska's Musee des Monuments Polonais in Puławy (1801-1831) -- Michał Mencfel -- 6. A Burning Mind, a Dream Space, a "Fantastic Exhibition" -- Inessa Kouteinikova -- III: England and the British Empire: Civil Society, Civil Service, and Ephemeral Exhibition Spaces -- 7. An Ephemeral Display within an Ephemeral Museum: The East India Company Contribution to the Manchester Art Treasures Exhibition of 1857Cover -- Table of Contents -- Introduction: Ephemeral Exhibition Spaces and the Dynamic of Historical Liminalities -- Dominique Bauer -- I: The Home -- 1. Panorama as Critical Restoration: Examining the Ephemeral Space of Viollet-le-Duc's Study at La Vedette -- Aisling O'Carroll -- 2. An Ephemeral Museum of Decorative and Industrial Arts: Charle Albert's Vlaams Huis -- Daniela N. Prina -- 3. Expanding Interiors: Architectural Photographs of the Countess de Castiglione -- Heidi Brevik-Zender -- II: Bygone Nations and Empires under Construction: Political ImaginationsThis book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing.Spatial imageries in historical perspective.Ephemeral artExhibitionsHistoryephemeral exhibition spaces, domestic spaces, empire, nation state, otherness.Ephemeral artExhibitionsHistory.700Bauer DominiqueMurgia Camilla1977-UkCbUPUkCbUPBOOK9910554228003321The home, nations and empires, and ephemeral exhibition spaces2819024UNINA