03785nam 2200673Ia 450 991052487800332120200520144314.01-4214-0855-4(CKB)3170000000060712(EBL)3318695(SSID)ssj0000860828(PQKBManifestationID)11429713(PQKBTitleCode)TC0000860828(PQKBWorkID)10898401(PQKB)11653432(MiAaPQ)EBC3318695(OCoLC)859687818(MdBmJHUP)muse25402(EXLCZ)99317000000006071220120709d2012 uy 0engur|n|---|||||txtccrSounding imperial poetic voice and the politics of empire, 1730-1820 /James Mulholland1st ed.Baltimore Johns Hopkins University Press20121 online resource (232 p.)Description based upon print version of record.1-4214-0854-6 Includes bibliographical references and index.""Contents""; ""List of Illustrations""; ""Acknowledgments""; ""Introduction: The Global Aesthetics of Poetic Voice""; ""1. Thomas Gray, Virtual Authorship, and the Performed Voice""; ""Authoring Gray�s “Elegy�""; ""Performing Gray�s “Elegy�""; ""Impersonating the Bard?""; ""Wildness and Welsh Prosody""; ""Quotation Marks""; ""(Un)Editing the Bards""; ""2. Wales, Public Poetry, and the Politics of Collective Voice""; ""Bardic Nationalism Reconsidered""; ""The Aboriginal Aesthetics of Iolo Morganwg""; ""Listening to the Welsh Past""; ""Dead Voices Reanimated""""3. Scotland and the Invention of Voice""""Primitive Passions, Poetry Addiction, History""; ""Ambiguous Speech""; ""Writing, Re-performance, and Restored Voices""; ""Intimate Hailing""; ""Ossian�s Afterlife""; ""4. Impersonating Native Voices in Anglo-Indian Poetry""; ""William Jones and the Fountainhead of Verse""; ""Making the Subaltern Speak""; ""Rewriting Gray�s “The Bard� in India""; ""Dislocated Orientalism""; ""Coda: Reading the Archive of the Inauthentic""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""""L""""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""W""; ""Z""Sounding Imperial offers a more nuanced sense of poetry's unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.English poetry18th centuryHistory and criticismEnglish poetry19th centuryHistory and criticismImperialism in literaturePolitical poetryHistory and criticismPolitics and literatureHistory18th centuryPolitics and literatureHistory19th centuryPolitics in literatureEnglish poetryHistory and criticism.English poetryHistory and criticism.Imperialism in literature.Political poetryHistory and criticism.Politics and literatureHistoryPolitics and literatureHistoryPolitics in literature.821.709Mulholland James1975-1097540MiAaPQMiAaPQMiAaPQBOOK9910524878003321Sounding Imperial2617984UNINA