01225nam0 22002891i 450 UON0038288620231205104536.23027-351-1060-520100630d2004 |0itac50 bafreFR|||| |||||ˆLa ‰dynamique des alliances ouest-sahariennesde l'espace géographique à l'espace socialMustapha Naimi ParisMaison des sciences de l'Hommec2004335 p., [8] p. di tav.ill.23 cm001UON001589792001 Méditerranée-Suddirigée par Tassadit Yacine et André Nouschi5EtnologiaAfrica occidentaleUONC019110FIFRParisUONL002984305.896Popoli africani21NAIMIMustaphaUONV198981704255Maison des Sciences de l'HommeUONV249367650ITSOL20250523RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00382886SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI 3 0467 SI AA 30478 5 0467 Dynamique des alliances ouest-sahariennes1357600UNIOR02371oam 22003974a 450 991052485430332120250515205426.00-253-04908-3(CKB)5600000000001666(OCoLC)1259584160(MdBmJHUP)muse92609(oapen)https://directory.doabooks.org/handle/20.500.12854/88279(oapen)doab88279(EXLCZ)99560000000000166620100425d1970 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierSergei Eisenstein and Upton SinclairThe Making and Unmaking of "Que Viva Mexico!" /translated with commentary by Brendan E.A. LiddellIndiana University Press1970Bloomington,Indiana University Press[1970]©[1970]1 online resource (1 online resource x, 277 pages)This fascinating study presents for the first time the full story of Eisenstein's disastrous attempt to make a great film in Mexico, a motion picture "symphony" of Mexican life, history, culture, and the perpetual Mexican fiesta of death. It clarifies the relationship between Eisenstein and Upton Sinclair, the American novelist who financed the picture, and reveals the causes and consequences of Sinclair's withdrawal of financial backing. Eisenstein was at the height of his creative powers when he began working on the Mexican film. The fiasco that ended the project was to leave a permanent mark on his life and work, while Sinclair was to be vilified on both sides of the Atlantic as the desecrator of the most important film of the world's greatest motion picture director. The book presents the story of these events in a unique manner by embedding the actual correspondence of the main participants in a commentary by Professors Geduld and Gottesman, who have endeavored to tell the truth about a tragic episode in the history of the cinema.Film theory & criticismbicsscFilm history, theory & criticismFilm theory & criticismLiddell Brendan E. A.1927-1168397MdBmJHUPMdBmJHUPBOOK9910524854303321Sergei Eisenstein and Upton Sinclair4379644UNINA