01041cam2 2200277 450 E60020006441420220705100641.0079231307020100607d1993 |||||ita|0103 bagerNL29Die Krisis der Europäischen Wissenschaften und die transzendentale Phänomenologie. ErgänzungsbandTexte aus dem Nachlass 1934-1937Edmund Husserlhrsg. von Reinhold N. SmidDordrechtBostonLondonKluwer1993LXIV, 555 p.24 cm001E6002000645192000 Gesammelte WerkeHusserl, EdmundAF0000490307035554Smid, Reinhold N.A600200061463070ITUNISOB20220705RICAUNISOBUNISOB100|Coll|56|K79901E600200064414M 102 Monografia moderna SBNM100|Coll|56|K000021Si79901acquistobethUNISOBUNISOB20100608091415.020220705100630.0Alfano291702503UNISOB03571oam 22005414a 450 991052466610332120210915044437.00-8018-9401-8(CKB)4960000000012615(MiAaPQ)EBC4531057(OCoLC)1046615898(MdBmJHUP)muse69546(BIP)27069750(BIP)8858946(EXLCZ)99496000000001261520030902d2004 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierWriting for ImmortalityWomen and the Emergence of High Literary Culture in America /Anne E. BoydBaltimore :Johns Hopkins University Press,2004.©2004.1 online resource (x, 305 pages)Originally presented as author's thesis (Ph. D.)--Purdue University.0-8018-7875-6 1-4214-0177-0 Includes bibliographical references (p. [287]-294) and index.Before the Civil War, American writers such as Catharine Maria Sedgwick and Harriet Beecher Stowe had established authorship as a respectable profession for women. But though they had written some of the most popular and influential novels of the century, they accepted the taboo against female writers, regarding themselves as educators and businesswomen. During and after the Civil War, some women writers began to challenge this view, seeing themselves as artists writing for themselves and for posterity. Writing for Immortality studies the lives and works of four prominent members of the first generation of American women who strived for recognition as serious literary artists: Louisa May Alcott, Elizabeth Stuart Phelps, Elizabeth Stoddard, and Constance Fenimore Woolson. Combining literary criticism and cultural history, Anne E. Boyd examines how these authors negotiated the masculine connotation of "artist," imagining a space for themselves in the literary pantheon. Redrawing the boundaries between male and female literary spheres, and between American and British literary traditions, Boyd shows how these writers rejected the didacticism of the previous generation of women writers and instead drew their inspiration from the most prominent "literary" writers of their day: Emerson, James, Barrett Browning, and Eliot. Placing the works and experiences of Alcott, Phelps, Stoddard, and Woolson within contemporary discussions about "genius" and the "American artist," Boyd reaches a sobering conclusion. Although these women were encouraged by the democratic ideals implicit in such concepts, they were equally discouraged by lingering prejudices about their applicability to women.Canon (Literature)American literature19th centuryHistory and criticismWomen and literatureUnited StatesHistory19th centuryAmerican literatureWomen authorsHistory and criticismUnited StatesIntellectual life1865-1918Electronic books. Canon (Literature)American literatureHistory and criticism.Women and literatureHistoryAmerican literatureWomen authorsHistory and criticism.810.9/9287/09034Boyd Anne E.1969-1146097MdBmJHUPMdBmJHUPBOOK9910524666103321Writing for Immortality2686726UNINA