00938cam0 2200277 450 E60020005672920200528074134.0271161085320091119d1991 |||||ita|0103 bafreFRCorrespondance 1923-1971Etienne GilsonJacques MaritainÉditéè et commentée par Géry ProuvostParisVrin1991300 p.22 cmGilson, ÉtienneAF00004689070385532Maritain, JacquesA600200059596070Prouvost, GeryA600200057394070ITUNISOB20200528RICAUNISOBUNISOB10073240E600200056729M 102 Monografia moderna SBNM100008312Si73240acquistopregresso1UNISOBUNISOB20091119092553.020200528074111.0SpinosaCorrespondance 1923 - 1971861652UNISOB00859nam0-2200289 --450 991051391010332120220103103553.0978-88-7667-806-620220103d2019----kmuy0itay5050 baitaIT 011yySaggi aretinianatomia di un dialettoAlberto Nocentinia cura di Luca PesiniAlessandro ParentiFirenzeFranco Cesati2019416 p.1 ritratto23 cm.Quaderni della Rassegna168457.945523itaNocentini,Alberto156552Pesini,LucaParenti,AlessandroITUNINAREICATUNIMARCBK9910513910103321457.5 PES 12021/2213FLFBCFLFBCSaggi aretini2567070UNINA03587nam 2200613 450 991080797080332120230803021731.094-012-0954-510.1163/9789401209540(CKB)2550000001118715(EBL)1402867(OCoLC)858764925(SSID)ssj0001164266(PQKBManifestationID)11652088(PQKBTitleCode)TC0001164266(PQKBWorkID)11181452(PQKB)11161993(MiAaPQ)EBC1402867(OCoLC)861506615(nllekb)BRILL9789401209540(Au-PeEL)EBL1402867(CaPaEBR)ebr10764744(CaONFJC)MIL519188(EXLCZ)99255000000111871520131009d2013 uy| 0engur|n|---|||||txtccr"Mouths on fire with songs" negotiating multi-ethnic identities on the contemporary North American stage /Caroline De WagterAmsterdam :Rodopi,2013.1 online resource (420 p.)Cross/cultures : readings in post/colonial literatures and cultures in English ;163Description based upon print version of record.90-420-3696-6 1-299-87937-3 Includes bibliographical references and index.Preliminary Material -- Staging Hybridity on the North American Scene -- Shattering the North American Dream: Testimonies and Experiences -- Cultural Memory in North American Drama -- Performing Imagined Communities -- Millennial Vistas -- Works Cited -- Index.This book, the first cross-cultural study of post-1970s anglophone Canadian and American multi-ethnic drama, invites assessment of the thematic and aesthetic contributions of this theater in today’s globalized culture. A growing number of playwrights of African, South and East Asian, and First Nations heritage have engaged with manifold socio-political and aesthetic issues in experimental works combining formal features of more classical European dramatic traditions with such elements of ethnic culture as ancestral music and dance, to interrogate the very concepts of theatricality and canonicity. Their “mouths on fire” (August Wilson), these playwrights contest stereotyped notions of authenticity. In¬spired by songs of anger, passion, experience, survival, and regeneration, the plays analyzed bespeak a burning desire to break the silence, to heal and empower. Foregrounding questions of hybridity, diaspora, cultural memory, and nation, this comparative study includes discussion of some twenty-five case studies of plays by such authors as M.J. Kang, August Wilson, Suzan–Lori Parks, Djanet Sears, Chay Yew, Padma Viswanathan, Rana Bose, Diane Glancy, and Drew Hayden Taylor. Through its cross-cultural and cross-national prism, “Mouths on Fire with Songs” shows that multi-ethnic drama is one of the most diverse and dynamic sites of cultural production in North America today.Cross/cultures ;163.Multiculturalism in literatureMulticulturalism in the theaterMulticulturalism in literature.Multiculturalism in the theater.810.992De Wagter Caroline1700026MiAaPQMiAaPQMiAaPQBOOK9910807970803321"Mouths on fire with songs"4082707UNINA