04667nam 2200697 450 991051190250332120191015111955.01-350-98806-51-78672-222-410.5040/9781350988064(CKB)4340000000188860(MiAaPQ)EBC4890574(OCoLC)1001288207(CaBNVSL)9781350988064(EXLCZ)99434000000018886020191015e20192017 uy 0engurcnu||||||||rdacontentrdamediardacarrierSocially engaged art after socialism art and civil society in Central and Eastern Europe /Izabel GallieraFirst edition.London, England :I.B. Tauris & Co. Ltd,2017.London, England :Bloomsbury Publishing,2019.1 online resource (386 pages) illustrationsInternational library of modern and contemporary art ;331-78453-713-6 Includes bibliographical references and index.Introduction -- Chapter 1. Points of Contention: Socially Engaged Art Practice in Contemporary Theory -- Chapter 2. Civil Society, and Social, Cultural and Political Capital -- Chapter 3. Historical Antecedents: Participatory Art under Socialism, 1956-89 -- Part 1. From Second Society to Civil Society -- Chapter 4. Civil Society in a Period of Post-Socialist Transition -- Chapter 5. Antipolitics: Exhibitions at the Soros Centres for Contemporary Art -- Chapter 6. Sofia: Participatory Public Art and Emerging Contemporary Art Institutions -- Part 2. From Localized Public Sites To EU Transnational Public Spheres -- Chapter 7. Place-Making: Framing Art in Public Spaces Curatorially -- Chapter 8. Representing Counterpublics in Bucharest, Budapest and Sofia -- Chapter 9. Contesting the Politics of Belonging in the Post-1989 EU Community -- Part 3. Institutionalized and Institutionalizing -- Chapter 10. Institutionalized Community Arts Programmes -- Chapter 11. Big Hope: Reviving Leftist Activism in Budapest -- Chapter 12. Self-Institutionalizing as Political Agency.Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest. Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action.International library of modern and contemporary art ;33.Art and civil society in Central and Eastern EuropeArtPolitical aspectsEurope, CentralArtPolitical aspectsEurope, EasternCommunism and artEurope, CentralCommunism and artEurope, EasternSocial movements in artSocial practice (Art)Socialism and artEurope, CentralSocialism and artEurope, EasternArt & design styles: from c 1960Electronic books.ArtPolitical aspectsArtPolitical aspectsCommunism and artCommunism and artSocial movements in art.Social practice (Art)Socialism and artSocialism and art700.1/03Galliera Izabel1067975Bloomsbury (Firm),YDXCaBNVSLCaBNVSLBOOK9910511902503321Socially engaged art after socialism2552304UNINA