03156nam 22005651 450 991051163670332120171009095604.01-350-00419-71-350-00416-210.5040/9781350004191(CKB)4340000000213381(MiAaPQ)EBC4939398(PPN)233131728(OCoLC)1000048121(UtOrBLW)bpp09261140(EXLCZ)99434000000021338120171025d2017 uy 0engurcnu||||||||rdacontentrdamediardacarrierExpanded painting ontological aesthetics and the essence of colour /Mark Titmarsh[New York] :Bloomsbury Academic,2017.1 online resource (228 pages)1-350-10199-0 1-350-00417-0 Includes bibliographical references and index.Chapter 1. The Presence of Paint -- Chapter 2. Expanded Painting -- Chapter 3. Post Aesthetics -- Chapter 4. An Ontology of Colour -- Chapter 5. The Painting of Being -- Notes -- Bibliography."The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenge both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting."--Bloomsbury Publishing.AestheticsArtPhilosophyColor in artOntologyPaintingPhilosophyPhilosophy: aestheticsElectronic books.Aesthetics.ArtPhilosophy.Color in art.Ontology.PaintingPhilosophy.745.723Titmarsh Mark1067174UtOrBLWUtOrBLWBOOK9910511636703321Expanded painting2550629UNINA