01212cam0 2200289 450 E60020005526820211012070544.020091021d1996 |||||ita|0103 baitaITVenafroStefania Capini, Dora Catalano, Gennaro MorraIserniaIannone1996247 p.ill.24 cm1 carta topograficaMolise Archeologico= Archaeoogical Molise001LAEC000275642001 *Molise Archeologico = Archaeoogical MoliseCatalano, DoraA600200057628070562967Morra, GennaroA600200057619070Capini, StefaniaA600200057630070ITUNISOB20211012RICAUNISOBUNISOBItalia|Top|Abruzzo|Molise147523E600200055268M 102 Monografia moderna SBNMItalia|Top|Abruzzo|Molise000006CON147523MarazziMacquisto Fondo Marazzi MgraveUNISOBUNISOB20091021084824.020160421151041.0catenacciConsultabile presso il Centro Mediterraneo Preclassico; Modalità di consultazione vedi home page Biblioteca link FondiVenafro1706220UNISOB03893nam 2200565 450 991051149760332120191015111955.01-350-98758-11-78673-275-01-78672-275-510.5040/9781350987586(CKB)3840000000341126(MiAaPQ)EBC5264531(WaSeSS)132024(OCoLC)1139315370(CaBNVSL)9781350987586(EXLCZ)99384000000034112620191015e20192017 uy 0engurcnu||||||||rdacontentrdamediardacarrierPortugal's global cinema industry, history and culture /edited by Mariana LizFirst edition.London, England :I.B. Tauris & Co. Ltd,2017.London, England :Bloomsbury Publishing,2019.1 online resource (306 pages)Tauris world cinema series1-78453-198-7 Includes bibliographical references (pages 257-276) and index.Introduction: Framing the Global Appeal of Contemporary Portuguese Cinema / Mariana Liz -- 1. Filming Narratives Becoming Events: Documentary and the 'Emplotments' of the Carnation Revolution / Luis̕ Trindade -- 2. Our Beloved Month of August: Between the Filming of the Real and the Reality of Filming / Rui Gonȧlves Miranda -- 3. Political Oliveira / Randal Johnson -- 4. Portugal, Europe and the World: Geopolitics and the Human Condition in Manoel de Oliveira's Films / Carolin Overhoff Ferreira -- 5. Aml̀ia: Stories of a Singer and Tales of a National Cinema / Anthony de Melo -- 6. La Cage dorě: a Franco-Portuguese Comedy of Integration / Ginette Vincendeau -- 7. Portugal and Europe: Cinema and the City in a Postcolonial Context / Mariana Liz -- 8. Contextualizing Pedro Costa's Digital Filmmaking / Nuno Barradas Jorge -- 9. Broken Links: The Cinema of Teresa Villaverde / Cristina Álvarez López and Adrian Martin -- 10. Mysteries of Ral︢ Ruiz's Portugal: Territory, Littoral and Memory Bridge / Michael Goddard -- 11. White Faces -- Black Masks: The White Woman's Burden in Pedro Costa's Down to Earth / Hilary Owen -- 12. Light Drops: Portugal Critically Reviewing the Colonial Past? / Paul Melo e Castro -- 13. Colonialism as Fantastic Realism in Tabu / Lúcia Nagib -- 14. Luso-Brazilian Co-Productions: Rescue and Expansion / Natl̀ia Pinazza.Portuguese cinema has become increasingly prominent on the international film festival circuit and yet can still be described as a 'small nation cinema'. From box-office hit 'La Cage Doré' to the prestige of directors Manúel de Oliveira, Pedro Costa and Miguel Gomes, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France. Considering this strange discrepancy begs the question: how can Portuguese cinema be characterised and thought about in a global context? Accumulating expertise from an international group of scholars, this book investigates the shifting significance of the nation, Europe and the globe for the way in which Portuguese film is managed on the international stage.Tauris world cinema series.Motion pictures, PortugueseHistoryMotion picture industryPortugalHistoryFilm theory & criticismElectronic books.Motion pictures, PortugueseHistory.Motion picture industryHistory.791.4309469Liz MarianaBloomsbury (Firm),YDXCaBNVSLCaBNVSLBOOK9910511497603321Portugal's global cinema2551385UNINA