04230nam 2200577 450 991051147250332120180225163306.09789004339705electronic book90-04-33970-190-04-33969-810.1163/9789004339705(CKB)3710000001064301(MiAaPQ)EBC4819134 2016058066(nllekb)BRILL9789004339705(PPN)229584888(EXLCZ)99371000000106430120170324h20172017 uy pengurcnu||||||||rdacontentrdamediardacarrierAuthorship and Greek songStudies in Archaic and classical Greek songVolume 3 authority, authenticity, and performance /edited by Egbert J. BakkerLeiden, The Netherlands ;Boston, [Massachusetts] :Brill,2017.©20171 online resource (305 pages)Mnemosyne, Supplements,0169-8958 ;Volume 402Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song.Includes bibliographical references at the end of each chapters and indexes.Front Matter /Egbert J. Bakker -- Introduction /Egbert J. Bakker -- The Construction of Authority in Pindar’s Isthmian 2 in Performance /Eva Stehle -- Voice and Worship /Christopher Carey -- Crooked Competition: The Performance and Poetics of Skolia /Richard P. Martin -- Placing the Poet: The Topography of Authorship /Nicholas Boterf -- Trust and Fame: The Seal of Theognis /Egbert J. Bakker -- Authenticity and Autochthonous Traditions in Archaic and Hellenistic Lyric Poetry /Jacqueline Klooster -- Embedded Song and Poetic Authority in Pindar and Bacchylides /Sarah J. Harden -- Narratorial Authority and Its Subversion in Archilochus /Laura Swift -- The Invention of Stesichorus: Hesiod, Helen, and the Muse /Jesús Carruesco -- On the Antagonism between Divine and Human Performer in Archaic Greek Poetics /Vayos Liapis -- “Newly Written Buds:” Archaic and Classical Pseudepigrapha in Meleager’s Garland /Irene Peirano Garrison -- Sappho or Alcaeus: Authors and Genres of Archaic Hymns /Leanna Boychenko -- Which Sappho? The Case Study of the Cologne Papyrus /Elisabetta Pitotto and Amedeo A. Raschieri -- Indexes /Egbert J. Bakker.Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and “global” (Panhellenic). The volume’s chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet’s name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.Mnemosyne, bibliotheca classica Batava. Supplementum. Monographs on Greek and Roman language and literature ;Volume 402.Greek poetryHistory and criticismCongressesGreek poetryAuthorshipCongressesOral interpretation of poetryHistoryTo 1500CongressesOral traditionGreeceCongressesElectronic books.Greek poetryHistory and criticismGreek poetryAuthorshipOral interpretation of poetryHistoryOral tradition881.0109Bakker Egbert J.MiAaPQMiAaPQMiAaPQBOOK9910511472503321Authorship and Greek song2390010UNINA