03614nam 2200481 450 991050843100332120220817145647.03-030-85629-1(MiAaPQ)EBC6805059(Au-PeEL)EBL6805059(CKB)19421983900041(OCoLC)1285779713(PPN)258840196(EXLCZ)991942198390004120220817d2021 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierMaking musical time /Guerino Mazzola [and five others]Cham, Switzerland :Springer,[2021]©20211 online resource (261 pages)Computational music sciencePrint version: Mazzola, G. (Guerino) Making musical time Cham : Springer International Publishing AG,c2021 9783030856281 Includes bibliographical references and index.Part I Ontological Orientation -- 1. Ontology, Oniontology, and the (History and Present Stage -- 5. Genealogy and Ontology of Human Time Perception -- Part III Musical Time Concepts -- 6. Meters and Rhythm -- 7. Structures of Organized Time -- 8. Musical Gestures -- 9. Kramers Time Concepts -- 10. Distributed Identity in Music -- Part IV New Developments on Musical Time Concepts -- 11. Limits of Gestural Diagrams -- 12. Imaginary Time -- 13. Mathematical Modeling Kramers Time Concepts -- 14. Functorial Semiotics of Time -- 15. Jordon, Chris, and Renan: Application of these theories -- 16. Experiments with Local and Global Rhythms -- Part V Conclusions -- 17. Time Constructs as a Deeply Musical Endeavor -- 18. Art of Time -- 19. Human Create their Own TimeThis book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture. It surveys the literature of time in mathematics, philosophy, psychology, music theory, and somatic studies (medicine and disability studies) and looks ahead through original research in performance, composition, psychology, and education. It is the first monograph solely devoted to the theory of construction of musical time since Kramer in 1988, with new insights, mathematical precision, and an expansive global and historical context. The mathematical methods applied for the construction of musical time are totally new. They relate to category theory (projective limits) and the mathematical theory of gestures. These methods and results extend the music theory of time but also apply to the applied performative understanding of making music. In addition, it is the very first approach to a constructive theory of time, deduced from the recent theory of musical gestures and their categories. Making Musical Time is intended for a wide audience of scholars with interest in music. These include mathematicians, music theorists, (ethno)musicologists, music psychologists / educators / therapists, music performers, philosophers of music, audiologists, and acousticians.Computational music science.Time in rabbinical literatureMathematicsStudy and teachingActivity programsTime in rabbinical literature.MathematicsStudy and teachingActivity programs.781.22Mazzola G(Guerino),931562MiAaPQMiAaPQMiAaPQBOOK9910508431003321Making musical time2842626UNINA01459nam2 22003253i 450 PUV037167220231121125614.0385951187419980720d1998 ||||0itac50 bamulchz01i xxxe z01n˜49: œConcordanzepublished by Tiziano DorandiDietikonZurichU. Graf1998114 p.45 cm.001CFI00665412001 Chartae Latinae antiquioresfacsimile-edition of the Latin charters prior to the ninth centuryedited by Albert Bruckner and Robert Marichal[poi] edited by Guglielmo Cavallo, Giovanna Nicolaj49Dorandi, TizianoBVEV013037070161856ITIT-0119980720IT-RM028 IT-RM0313 IT-RM0281 IT-RM0459 IT-FR0017 Biblioteca Universitaria AlessandrinaRM028 BIBLIOTECA CASANATENSERM0313 BIBLIOTECA VALLICELLIANARM0281 ARCHIVIO DI STATO DI ROMARM0459 Biblioteca umanistica Giorgio ApreaFR0017 PUV0371672Biblioteca umanistica Giorgio Aprea 52SALA BRAGACHLA 49 52COB0000019595 VPB RS C 2013022620130226 01 07 08 12 52Concordanze3613691UNICAS