03485nam 2200649 450 991049614010332120230801215254.00-585-29940-40-520-91104-010.1525/9780520911048(CKB)111057870440110(dli)HEB08052(SSID)ssj0000145554(PQKBManifestationID)12053357(PQKBTitleCode)TC0000145554(PQKBWorkID)10156931(PQKB)10182806(DE-B1597)543610(OCoLC)1149493147(DE-B1597)9780520911048(MiU)MIU01000000000000009641351(MiAaPQ)EBC30495737(Au-PeEL)EBL30495737(EXLCZ)9911105787044011020230801d1992 uy 0engurmnummmmuuuutxtccrEloquent Gestures The Transformation of Performance Style in the Griffith Biograph Films /Roberta PearsonFirst edition.Berkeley, California :University of California Press,[1992]©19921 online resource (x, 184 p. )ill. ;Bibliographic Level Mode of Issuance: Monograph0-520-07366-5 0-520-07365-7 Includes bibliographical references and index.Front matter --Contents --Acknowledgments --1. Introduction --2. The Theatrical Heritage --3. The Histrionic and Verisimilar Codes in the Biograph Films --4. Performance Style and the Interaction of Signifying Practices --5. D. W. Griffith and the Biograph Company --6. Henry B. Walthall --7. Trade Press Discourse --8. Conclusion --Notes --Bibliography --IndexBetween 1908 and 1913, D. W. Griffith played a key role in the reformulating of film's narrative techniques, thus contributing to the creation of what we now think of as the classical Hollywood cinema. This book is the only extensive treatment of a critical period in the history of film acting: the emergence of the realistic "verisimilar" style in Griffith's biograph films. Roberta Pearson shows how Griffith gradually abandoned the deliberately affected "histrionic" acting style derived from the nineteenth-century stage. No longer did actors mime distress by raising their arms to heaven or clutching their heads--a subtle facial expression, a slight change in posture would convey a character's extreme emotions instead. Pearson makes detailed comparisons of certain Biograph films and brings a freshness to her analysis by closely examining contemporary journalistic writing, acting manuals, and the recollections of actors of the time. Her work is important for anyone interested in early cinema and performance, and it will enliven the study of American cultural history and mass communications.Silent filmsUnited StatesHistory and criticismMotion picture actingMovement (Acting)Silent filmsHistory and criticism.Motion picture acting.Movement (Acting)791.430973Pearson Roberta E.1013493American Council of Learned Societies.MiAaPQMiAaPQMiAaPQBOOK9910496140103321Eloquent gestures2806756UNINA