01303nam2 2200313 i 450 SUN001001120071122120000.088-420-5231-0IT98 122220021120d1997 |0itac50 baitaIT|||| |||||ˆ2: Il ‰medioevoMario Gallina, Grado G. Merlo, Giovanni TabaccoRomaLaterza1997VIII, 329 p.21 cm.001SUN00051212001 Storia e società210 RomaBariLaterza.001SUN00100102001 Storia del cristianesimoa cura di Giovanni Filoramo e Daniele Menozzi2210 RomaLaterza215 v.21 cm.RomaSUNL000360Gallina, MarioSUNV007760162576Merlo, Grado GiovanniSUNV007761162577Tabacco, GiovanniSUNV007762140390LaterzaSUNV000002650ITSOL20181109RICASUN0010011UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00 CONS XII.Ea.31 2 00 210600261 UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA210600261CONS XII.Ea.31 2caMedioevo881176UNICAMPANIA04884nam 22008055 450 991049587980332120220426183757.097805203412410520341244978052090977905209097719780585305967058530596X10.1525/9780520341241(CKB)111004366702028(SSID)ssj0000139914(PQKBManifestationID)12019488(PQKBTitleCode)TC0000139914(PQKBWorkID)10029250(PQKB)11031614(DE-B1597)543148(OCoLC)1149449314(DE-B1597)9780520341241(MiAaPQ)EBC30498302(Au-PeEL)EBL30498302(OCoLC)1377818099(Perlego)3905686(EXLCZ)9911100436670202820200424h19901990 fg 0engur||#||||||||txtccrThe disenchanted self representing the subject in the Canterbury tales /H. Marshall LeicesterReprint 2019Berkeley, CA :University of California Press,[1990]©19901 online resource (464 p.)Bibliographic Level Mode of Issuance: Monograph9780520068339 0520068335 9780520067608 0520067606 Front matter --Contents --Acknowledgments --Introduction --1. The Pardoner as Disenchanted Consciousness and Despairing Self --2. Self-Presentation and Disenchantment in the Wife of Bath's Prologue: A Prospective View --3. Retrospective Revision and the Emergence of the Subject in the Wife of Bath's Prologue --4. Janekyn's Book: The Subject as Text --5. Subjectivity and Disenchantment: The Wife of Bath's Tale as Institutional Critique --6. The Pardoner as Subject: Deconstruction and Practical Consciousness --7. From Deconstruction to Psychoanalysis and Beyond: Disenchantment and the "Masculine" Imagination --8. The "Feminine" Imagination and Jouissattce --9. The Knight's Critique of Genre I: Ambivalence and Generic Style --10. The Knight's Critique of Genre II: From Representation to Revision --11. Regarding Knighthood: A Practical Critique of the "Masculine" Gaze --12. The Unhousing of the Gods: Character, Habitus, and Necessity in Part III --13. Choosing Manhood: The "Masculine" Imagination and the Institution of the Subject --14. Doing Knighthood: Heroic Disenchantment and the Subject of Chivalry --Conclusion: The Disenchanted Self --Works Cited --IndexThe question of the "dramatic principle" in the Canterbury Tales, of whether and how the individual tales relate to the pilgrims who are supposed to tell them, has long been a central issue in the interpretation of Chaucer's work. Drawing on ideas from deconstruction, psychoanalysis, and social theory, Leicester proposes that Chaucer can lead us beyond the impasses of contemporary literary theory and suggests new approaches to questions of agency, representation, and the gendered imagination. Leicester reads the Canterbury Tales as radically voiced and redefines concepts like "self" and "character" in the light of current discussions of language and subjectivity. He argues for Chaucer's disenchanted practical understanding of the constructed character of the self, gender, and society, building his case through close readings of the Pardoner's, Wife of Bath's, and Knight's tales. His study is among the first major treatments of Chaucer's poetry utilizing the techniques of contemporary literary theory and provides new models for reading the poems while revising many older views of them and of Chaucer's relation to his age.Christian pilgrims and pilgrimages in literatureHistory and criticismTales, MedievalPsychological aspectsSelf-consciousness (Awareness) in literaturePoetrySubjectivity in literaturePoint of view (Literature)Persona (Literature)Self in literatureChristian pilgrims and pilgrimages in literatureHistory and criticism.Tales, MedievalPsychological aspects.Self-consciousness (Awareness) in literaturePoetrySubjectivity in literaturePoint of view (Literature)Persona (Literature)Self in literature821/.1Leicester H. Marshallauthttp://id.loc.gov/vocabulary/relators/aut1234242DE-B1597DE-B1597BOOK9910495879803321The disenchanted self2866944UNINA