04461 am 2200757 n 450 9910495775503321202011202-7226-0559-710.4000/books.cdf.10192(CKB)4100000011586229(FrMaCLE)OB-cdf-10192(oapen)https://directory.doabooks.org/handle/20.500.12854/87264(PPN)267931778(EXLCZ)99410000001158622920201120j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierLouvre Le Collège de France et le musée du Louvre /Jessica DesclauxParis Collège de France2020Passage des disciplinesThe fourth volume of the “Passage des disciplines” collection looks at how the discipline of art history was established at the Collège de France by forging a special link with the Musée du Louvre. Georges Lafenestre, André Michel, Paul Vitry, and René Huyghe were curators in the Department of Paintings and Drawings and the Department of Medieval, Renaissance and Modern Sculptures, before holding the Chair of Aesthetics and Art History, created in 1878 and once renamed “History of French Art” (1920-1925), or the municipal chair, “Psychology of Visual Arts” (1951-1976), financed by the City of Paris. By electing several curators to its chairs in this way, does the Collège de France single itself out among the institutions at which aesthetics and art history are taught? What determines the recruitment of curators? To what extent does their museum experience weigh on their appointment? Once elected, what ties do they maintain with the Louvre? Do they integrate the museum’s debates on aesthetics or historical method into their teaching at the Collège de France? Such are some of the questions that the authors of this volume explore, drawing on the archives of various institutions. This volume ensues from a study day organised by Jessica Desclaux (Sorbonne Université-Musée du Louvre/Centre Dominique-Vivant Denon) on 4 April 2019, as part of the research programme “Passage des disciplines: global history of the Collège de France, 19th-20th century”. The programme focuses on the selection process of chairs and fields of study at the Collège de France, including those that were not admitted to it and which formed a “virtual college”, from the late 18th century to the 1960s. It is directed by Antoine Compagnon, with the collaboration of Céline Surprenant, and has received financial support from PSL (2016-2019) and the République des Savoirs.Theory of artbicsscConservation, restoration & care of artworksbicsscHistory of art / art & design stylesbicsscArt styles not defined by datebicsscExhibition catalogues & specific collectionsbicsscLiterary studies: generalbicsscMuseology & heritage studiesbicsscModern history to 20th century: c 1700 to c 1900bicsschistory of artCollège de Francehistory of researchhistory of high educationmuseumfine artsLouvre museumeducational institutionsart schoolestheticshigh educationTheory of artConservation, restoration & care of artworksHistory of art / art & design stylesArt styles not defined by dateExhibition catalogues & specific collectionsLiterary studies: generalMuseology & heritage studiesModern history to 20th century: c 1700 to c 1900Barbillon Claire733008Claass Victor1365394Desclaux Jessica1295751Durey Philippe1365395Joly Cécile1365396Martin François-René1285615Oléron Evans Émilie1365397Recht Roland215070Tchernia-Blanchard Marie1365398Desclaux Jessica1295751FR-FrMaCLEBOOK9910495775503321Louvre3387267UNINA