05832nam 22008535 450 991048314670332120200725150709.01-78402-699-93-540-92910-X10.1007/978-3-540-92910-9(CKB)3400000000085677(SSID)ssj0000745982(PQKBManifestationID)11378863(PQKBTitleCode)TC0000745982(PQKBWorkID)10863284(PQKB)10289256(DE-He213)978-3-540-92910-9(MiAaPQ)EBC3070389(MiAaPQ)EBC6312778(PPN)168307995(EXLCZ)99340000000008567720120825d2012 u| 0engurnn#008mamaatxtccrHandbook of Natural Computing[electronic resource] /edited by Grzegorz Rozenberg, Thomas Bäck, Joost N. Kok1st ed. 2012.Berlin, Heidelberg :Springer Berlin Heidelberg :Imprint: Springer,2012.1 online resource (332 illus., 60 illus. in color. eReference.)Springer referenceBibliographic Level Mode of Issuance: Monograph3-540-92911-8 3-540-92909-6 Includes bibliographical references and index.Natural Computing is the field of research that investigates both human-designed computing inspired by nature and computing taking place in nature, i.e., it investigates models and computational techniques inspired by nature and also it investigates phenomena taking place in nature in terms of information processing. Examples of the first strand of research covered by the handbook include neural computation inspired by the functioning of the brain; evolutionary computation inspired by Darwinian evolution of species; cellular automata inspired by intercellular communication; swarm intelligence inspired by the behavior of groups of organisms; artificial immune systems inspired by the natural immune system; artificial life systems inspired by the properties of natural life in general; membrane computing inspired by the compartmentalized ways in which cells process information; and amorphous computing inspired by morphogenesis. Other examples of natural-computing paradigms are molecular computing and quantum computing, where the goal is to replace traditional electronic hardware, e.g., by bioware in molecular computing. In molecular computing, data are encoded as biomolecules and then molecular biology tools are used to transform the data, thus performing computations. In quantum computing, one exploits quantum-mechanical phenomena to perform computations and secure communications more efficiently than classical physics and, hence, traditional hardware allows. The second strand of research covered by the handbook, computation taking place in nature, is represented by investigations into, among others, the computational nature of self-assembly, which lies at the core of nanoscience, the computational nature of developmental processes, the computational nature of biochemical reactions, the computational nature of bacterial communication, the computational nature of brain processes, and the systems biology approach to bionetworks where cellular processes are treated in terms of communication and interaction, and, hence, in terms of computation. We are now witnessing exciting interaction between computer science and the natural sciences. While the natural sciences are rapidly absorbing notions, techniques and methodologies intrinsic to information processing, computer science is adapting and extending its traditional notion of computation, and computational techniques, to account for computation taking place in nature around us. Natural Computing is an important catalyst for this two-way interaction, and this handbook is a major record of this important development.ComputersComputational intelligenceArtificial intelligenceQuantum computersSpintronicsSystems biologyNanotechnologyTheory of Computationhttps://scigraph.springernature.com/ontologies/product-market-codes/I16005Computational Intelligencehttps://scigraph.springernature.com/ontologies/product-market-codes/T11014Artificial Intelligencehttps://scigraph.springernature.com/ontologies/product-market-codes/I21000Quantum Information Technology, Spintronicshttps://scigraph.springernature.com/ontologies/product-market-codes/P31070Systems Biologyhttps://scigraph.springernature.com/ontologies/product-market-codes/L15010Nanotechnologyhttps://scigraph.springernature.com/ontologies/product-market-codes/Z14000Computers.Computational intelligence.Artificial intelligence.Quantum computers.Spintronics.Systems biology.Nanotechnology.Theory of Computation.Computational Intelligence.Artificial Intelligence.Quantum Information Technology, Spintronics.Systems Biology.Nanotechnology.006.38Rozenberg Grzegorzedthttp://id.loc.gov/vocabulary/relators/edtBäck Thomasedthttp://id.loc.gov/vocabulary/relators/edtKok Joost Nedthttp://id.loc.gov/vocabulary/relators/edtMiAaPQMiAaPQMiAaPQBOOK9910483146703321Handbook of Natural Computing2845806UNINA04127 am 2200745 n 450 991049571420332120240104030438.02-7535-2717-210.4000/books.pur.81282(CKB)4100000008622522(FrMaCLE)OB-pur-81282(PPN)267953879(EXLCZ)99410000000862252220190705j|||||||| ||| 0freuu||||||m||||Victorien SardouLe théâtre et les artsIsabelle MoindrotRennesPresses universitaires de Rennes20181 online resource (422 p.) 2-7535-1202-7 Victorien Sardou (1831-1908) fut probablement l’un des plus grands dramaturges français, par l’importance, la diversité et le rayonnement international de ses œuvres. Pourtant, les pièces de cet auteur éblouissant, qui avait été un infatigable homme de théâtre et l’ami des plus grands comédiens de son temps, notamment Sarah Bernhardt, ont disparu de la scène après le choc du second conflit mondial. Ses comédies de mœurs et ses vaudevilles électriques semblaient d’une autre époque, tout comme ses drames historiques, dont l’esprit ne paraissait plus en phase avec le nouveau langage dramatique, plus inquiet et dépouillé. Que restait-il alors de cette œuvre naguère si prisée ? Une adaptation pour l’opéra (Tosca) et un succès populaire (Madame Sans-Gêne). Un soupçon écrasant s’est alors abattu sur l’ancien prince du théâtre. Personnalité hors du commun, véritablement spectaculaire, tout à la fois auteur dramatique, metteur en scène et figure médiatique usant avec talent des images et de l’émotivité de ses contemporains, cet adepte du spiritisme fut aussi un collectionneur et un ardent polémiste. Comment s’étonner dès lors qu’il soit devenu un personnage, une créature en grande partie imaginaire ? Après sa mort en 1908, l’œuvre de Sardou a poursuivi sa route sur d’autres scènes et à travers d’autres arts. L’imagination du dramaturge avait inventé des figures, des histoires, des drames qui continuaient de hanter le théâtre et qui se montraient une magnifique source d’inspiration pour de nouveaux créateurs, librettistes, musiciens et cinéastes. Ce livre, conçu à l’occasion du centenaire de sa disparition, prétend redessiner les contours d’un royaume spectaculaire évanoui.Theaterthéâtredramaturgethéâtre françaishistoire du théâtreTheaterthéâtredramaturgethéâtre françaishistoire du théâtreBara Olivier1292053Besnier Patrick329185Carou Alain1308977Cazaux Chantal1453746Chénetier-Alev Marion1308978Ducrey Guy1278383Gier Albert174711Girard Pauline1322704Goetz Olivier1306550Humbert-Mougin Sylvie1306551Huthwohl Joël782780Jouan Pascal1453747Krakovitch Odile1306553Lacombe Hervé1308020Leveratto Jean-Marc610674Louis Gaillemin Jean1453748Lucet Sophie1278386Marchadier Aline1306555Maurel-Indart Hélène1326542Moindrot Isabelle1305890Naugrette Florence1240424Piana Romain1304324Rondet Patricia1453749Schmidl Stefan1453750Taylor-Terlecka Nina1453751Tchepourov Alexandre1453752Wesseler Fedora1282491Yon Jean-Claude778658Zamour Françoise1324434FR-FrMaCLEBOOK9910495714203321Victorien Sardou3656678UNINA