03812nam 2200781 450 991079064860332120230617024656.01-135-37399-X0-203-95390-81-135-37392-2(CKB)2550000001131040(EBL)1479888(OCoLC)861081804(SSID)ssj0001002109(PQKBManifestationID)11620831(PQKBTitleCode)TC0001002109(PQKBWorkID)10996151(PQKB)10512647(OCoLC)868970439(MiAaPQ)EBC1479888(Au-PeEL)EBL1479888(CaPaEBR)ebr10782730(CaONFJC)MIL530749(FINmELB)ELB132879(EXLCZ)99255000000113104020020628d2003 uy| 0engur|n|---|||||txtccrThe making of the Victorian novelist anxieties of authorship in the mass market /Bradley DeaneNew York :Routledge,2003.1 online resource (189 p.)Literary criticism and cultural theory : outstanding dissertationsDescription based upon print version of record.0-415-94020-6 1-299-99498-9 Includes bibliographical references (pages 157-165) and index.Cover; Literary Criticism andCultural Theory; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; One Dueling Authorships in the Romantic Period: The Author of Waverley and the Great Unknown; The Prophet Margin; "The Ordinary Business of the World"; The Uses of Waverley; Two Making Friends: Dickens, Pickwick, and Industrial Romanticism; Editing Authorship; The Messenger Is the Message; Serialization and the Code of Production; Three Sympathy's Last Gasp: The Professional Body and the Disease of Sensationalism; Romancing King Public; The Making of an Outcast GenreRereading the Sympathetic BodyFour The Death of the Victorian Author: Mastery and Mystery in James's The Princess Casamassima; Anarchy and Artisans; Sympathy and Appreciation; The Suicide of the Author; Five Veiled Women in the Marketplace of Culture: Authorships and Domesticities in Gaskell and Eliot; Domesticity and Demagoguery; Authorship in the Parrot-House; Conclusion; Notes; Bibliography; IndexFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.Literary criticism and cultural theory.English fiction19th centuryHistory and criticismAuthors and publishersGreat BritainHistory19th centuryLiterature publishingGreat BritainHistory19th centuryAuthors and readersGreat BritainHistory19th centuryAuthorshipEconomic aspectsGreat BritainHistory19th centuryNovelists, English19th centuryEconomic conditionsNovelists, English19th centuryPsychologyAuthorshipPsychological aspectsEnglish fictionHistory and criticism.Authors and publishersHistoryLiterature publishingHistoryAuthors and readersHistoryAuthorshipEconomic aspectsHistoryNovelists, EnglishEconomic conditions.Novelists, EnglishPsychology.AuthorshipPsychological aspects.823/.809Deane Bradley1971-1583306MiAaPQMiAaPQMiAaPQBOOK9910790648603321The making of the Victorian novelist3866278UNINA04214nam 22006255 450 991049515420332120251202140935.09789811640193981164019X10.1007/978-981-16-4019-3(CKB)4100000012008389(MiAaPQ)EBC6710582(Au-PeEL)EBL6710582(OCoLC)1265462233(DE-He213)978-981-16-4019-3(EXLCZ)99410000001200838920210820d2021 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierGeographies of Commemoration in a Digital World Anzac @ 100 /by Danielle Drozdzewski, Shanti Sumartojo, Emma Waterton1st ed. 2021.Singapore :Springer Nature Singapore :Imprint: Palgrave Pivot,2021.1 online resource (157 pages)Palgrave Pivot9789811640186 9811640181 Chapter 1: Geographies of commemoration in a digital world -- Chapter 2: Epistemology of memory -- Chapter 3: Encounters with Anzac in a digital world: tropes and symbols, spectacle and staging -- Chapter 4: Digital presence and absence -- Chapter 5: Digital feelings -- Chapter 6: Using geography to think-through and towards new commemorative frontiers.‘How does Anzac feel? Why does it continue to have such a hold on the Australian imagination? And how are digital technologies affecting the ways that we experience Anzac? These are the questions at the heart of this compelling and innovative new book by Danielle Drozdzewski, Shanti Sumartojo and Emma Waterton. It argues convincingly for a new geography of commemoration that recognises the complex ways that digital commemoration interacts with traditional forms. The authors’ insights have important applications in enabling scholars across disciplines to better understand the affective appeal of state-sponsored mythologies.’ —Dr Carolyn Holbrook, DECRA Senior Research Fellow, Deakin University, Australia ‘This accessible book reveals the deep, emotional and mnemonic digital and cultural work of the public during national commemorations. This is cultural work through the co-produced methodology that offers the reader new ways of undertaking participatory research in memory studies. Story becomes action (real-time and remembered) as the authors reveal the phatic experience of Australia’s Anzac memories online as a constellation of digital places and feelings and fresh empirical evidence of non-conformity. The originality of this book lies in its collaborative methods across different but inter-related approaches to researching remembrance in the 21st century.’ —Joanne Garde-Hansen, Professor of Culture, Media & Communication, University of Warwick, UK This book reframes commemoration through distinctly geographical lenses, locating it within experiential and digital worlds. It interrogates the role of power in representations of memory and shows how experiences of commemoration sit within, alongside and in contrast to its official normative forms. The book charts how memories, places and experiences of commemoration play out and have, or have not, changed in and through a digital world. Key to the book’s exploration is a new epistemology of memory, underpinned by an embodied research approach.Palgrave pivot.Human geographyCultural propertyCollective memoryHuman GeographyCultural HeritageMemory StudiesHuman geography.Cultural property.Collective memory.Human Geography.Cultural Heritage.Memory Studies.940.46Drozdzewski Danielle846247Waterton EmmaSumartojo ShantiMiAaPQMiAaPQMiAaPQBOOK9910495154203321Geographies of commemoration in a digital world2855049UNINA