02709oam 2200481 450 991013226840332120230621140039.09788579830983(ePUB ebook)(CKB)3710000000347351(oapen)https://directory.doabooks.org/handle/20.500.12854/39993(EXLCZ)99371000000034735120200426h20112010 fy| 0porur||#---|||||txtrdacontentcrdamediacrrdacarrierAbordagens do pós-moderno em músicaa incredulidade nas metanarrativas e o saber musical contemporâneo /João Paulo Costa do NascimentoSciELO Books - Editora UNESP2011[São Paulo, Brazil] :SciELO Books - Editora UNES :Cultura Acadêmica,2011.©20101 online resource (173 pages) illustrations; digital file(s)Print version: 8579830982 Includes bibliographical references.O presente trabalho tem por objetivo a observação da influência de A Condição Pós-Moderna sobre as abordagens do pós-moderno em música realizadas após a 1980. Para tal tarefa, será utilizada a noção lyotardiana de pós-moderno como incredulidade nas metanarrativas de legitimação do saber. Esta influência será observada perante importantes textos relativos ao pós-moderno musical e na maneira como algumas obras da música clássica de concerto realizada na década de 1990 e 2000 se relacionam com tal incredulidade.The present work aims to observe the influence of The Postmodern Condition on the postmodern approaches to music carried out after 1980. For this task, the postmodern Lyotardian notion will be used as disbelief in the legitimation metanarratives of the to know. This influence will be observed before important texts related to the postmodern musical and in the way in which some works of classical concert music performed in the 1990s and 2000s are related to such unbelief.A incredulidade nas metanarrativas e o saber musical contemporâneoMusicPhilosophy and aestheticsMusicHistory and criticismMusicSocial aspectsPostmodernismMUSICMusicPhilosophy and aesthetics.MusicHistory and criticism.MusicSocial aspects.Postmodernism.780.905Nascimento João Paulo Costa do803165UkMaJRUBOOK9910132268403321Abordagens do pós-moderno em música1957747UNINA04177nam 2200745 450 9910493752703321202107163-631-70858-03-653-04797-8(CKB)4100000009040348(MiAaPQ)EBC5851137(oapen)https://directory.doabooks.org/handle/20.500.12854/71332(EXLCZ)99410000000904034820190913d2019 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierTheater and the sacred in the Middle Ages /Andrzej Dąbrówka ; translated by Jan Burzyński and Mikołaj GolubiewskiBernPeter Lang International Academic Publishing Group2019Berlin :Peter Lang,[2019]©20191 online resource (574 pages)Interdisciplinary studies in performance ;203-631-65501-0 Part I. Literature and history -- A philological exercise -- Language and history : the cognitive turn -- Pious spectacle -- The sacred -- Forms of devotion -- Part II. Changes in the ontology of the sacred -- The ontology of the sacred -- The sources of the spiritualization process -- The material symbol and the linguistic sign -- The stages of spiritualization -- The transcendentalization of the sacred as a civilizational transformation -- Part III. The profane : the human estate -- Lower tiers of sacrality -- The new place for people in nature -- From the universalism of obedience to the pluralism of predictability -- Confraternities as media in the civilizing process -- Part IV. The aesthetics of recapitulation : to inscribe into the living hearts -- Theatrica -- Spectator, participant, co-author -- The incarnational aesthetics of the theatrical performance -- The aesthetics of articulation and factuality -- Knowledge of the miracle -- Recapitulation and creativity -- Part V. Spirituality and subjectivity in drama -- The forms of devotion and drama -- The mystery play -- The miracle play -- The morality play -- The recapitulatory drama -- The farce -- Concluding remarks -- Bibliography -- Index.The book presents a theory of relationships between the forms of devotion and early drama genres. The historical background is the circumstances of the Church becoming independent of the Empire. A theological and philosophical aspect of the transformation of piety at the time was the specification of the ontological status of the sacred (spiritualization) and "shifting it to Heaven" (transcendentalization). In opposition to a theory of Western civilization as a process of increasing individual self-control, the author argues for the need to take into account purely religious conditions (the idea of recapitulation). This allows the author to develop a holistic aesthetics for the religiously inspired creativity in the period spanning the 11th-15th centuries and to propose a new typology of medieval drama.Interdisciplinary studies in performance ;20.Drama, MedievalHistory and criticism2013AgesArt HistoryCognitive PsychologycywilizacjaDabrowkaestetykaHistorical AnthropologyMedieval DramaMiddleMonografieReligiaReligion and CivilizationSacredsacrumseriaSocial HistoryśredniowieczuTeatrTheaterTheatreTorunWydawnictwoDrama, MedievalHistory and criticism.809.202Dąbrówka Andrzej679224Burzyński JanGolubiewski Mikołaj1985-MiAaPQMiAaPQMiAaPQBOOK9910493752703321Theater and the sacred in the Middle Ages2127792UNINA