04370nam 2200613 450 991049369320332120170920010556.090-04-32367-810.1163/9789004323674(CKB)3710000000846672(EBL)4715106(MiAaPQ)EBC4715106(OCoLC)956342237(nllekb)BRILL9789004323674(EXLCZ)99371000000084667220161020h20162016 uy 0engur|n|---|||||rdacontentrdamediardacarrierThe persistence of the human consciousness, meta-body and survival in contemporary film and literature /by Matthew EscobarLeiden, [Netherlands] ;Boston, [Massachusetts] :Brill,2016.©20161 online resource (228 p.)Consciousness, Literature and the Arts,1573-2193 ; ;Volume 48Description based upon print version of record.90-04-32362-7 Includes bibliographical references and index.Preliminary Material -- Introduction -- The Human, Consciousness and Its Temporality -- Testing the Human: Trauma, Memory and Consciousness -- The Phantom Limb: Specters, Trauma, and Meta-body -- Survival: Human and Posthuman -- Conclusion -- Bibliography -- Index.Recent narrative fiction and film increasingly exploit, explore and thematize the embodied mind, revealing the tenacity of a certain brand of humanism. The presence of narratively based concepts of personal identity even in texts which explore posthuman possibilities is strong proof that our basic understanding of what it means to be human has, despite appearances, remained mostly unchanged. This is so even though our perception of time has been greatly modified by the same technology which both interrupts and allows for the rearrangement of our experience of time at a rate and a level of ease which, until recently, had never been possible. Basing his views on a long line of philosophers and literary theorists such as Paul Ricoeur, Daniel Dennett and Francisco Varela, Escobar maintains in The Persistence of the Human that narrative plays an essential role in the process of constituting and maintaining a sense of self. It is narrative’s effect on the embodied mind which gives it such force. Narrative projects us into possible spaces, shaping a temporary corporeality termed the “meta-body,” a hybrid shared by the lived body and an imagined corporeal sense. The meta-body is a secondary embodiment that we inhabit for however long our narrative immersion lasts – something which, in today’s world, may be a question of milliseconds or hours. The more agreeable the meta-body is, the less happy we are upon being abruptly removed from it, though the return is essential. We want to be able to slip back and forth between this secondary embodiment and that of our lived body; each move entails both forgetting and remembering different subject positions (loss and recuperation being salient themes in the works which highlight this process). The negotiation of the transfer between these states is shaped by culture and technology and this is something which is precisely in flux now as multiple, ephemeral narrative immersion experiences are created by the different screens we come into contact with.Consciousness, literature & the arts ;Volume 48.Identity (Psychology) in literatureIdentity (Psychology) in motion picturesHuman body in literatureSelf-perception in motion picturesSelf-perception in literatureHuman body in motion picturesElectronic books.Identity (Psychology) in literature.Identity (Psychology) in motion pictures.Human body in literature.Self-perception in motion pictures.Self-perception in literature.Human body in motion pictures.809/.93353Escobar Matthew1052827MiAaPQMiAaPQMiAaPQBOOK9910493693203321The persistence of the human2484310UNINA