01040cam0 2200253 450 E60020003176720200429070214.020071122d1973 |||||ita|0103 baengGB<<The >>unpublished first version of Isaac Newton's Cambridge lectures on optics 1670 - 1672Of facsimile of autograph, now Cambridge University Library MS. Add. 4002Isaac Newton'spref. D. T. WhitesideCambridgeThe University Library1973130 p.28 cmNewton, IsaacA6002000309330704135Whiteside, D.T.A600200044065070ITUNISOB20200429RICAUNISOBUNISOB50067261E600200031767M 102 Monografia moderna SBNM500000236Si67261acquistopregresso2UNISOBUNISOB20071122094851.020160202094108.0cutoloUnpublished first version of Isaac Newton's Cambridge lectures on optics 1670 - 16721687603UNISOB03304nam 22005655 450 991048502810332120240628132817.09783030169008303016900610.1007/978-3-030-16900-8(CKB)4100000008737378(MiAaPQ)EBC5835450(DE-He213)978-3-030-16900-8(Perlego)3492382(EXLCZ)99410000000873737820190718d2019 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierSurveillance and Terror in Post-9/11 British and American Television /by Darcie Rives-East1st ed. 2019.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2019.1 online resource (265 pages)9783030168995 3030168999 1. Introduction: Surveillance and Terror in Post-9/11 British and American Television -- 2. Captive Viewers: Prisons, Captivity, and Social Control -- 3. Policing, Surveillance, and Terror-and the Return of Sherlock Holmes -- 4. We Spy: Espionage and the National Intelligence Agency -- 5. Conclusion: The Double Conditioning of Viewers, Surveillance, and Television.This interdisciplinary study examines how state surveillance has preoccupied British and American television series in the twenty years since 9/11. Surveillance and Terror in Post-9/11 British and American Television illuminates how the U.S. and U.K., bound by an historical, cultural, and television partnership, have broadcast numerous programs centred on three state surveillance apparatuses tasked with protecting us from terrorism and criminal activity: the prison, the police, and the national intelligence agency. Drawing from a range of case studies, such as Sherlock, Orange is the New Black and The Night Manager, this book discusses how television allows viewers, writers, and producers to articulate fears about an increased erosion of privacy and civil liberties following 9/11, while simultaneously expressing a desire for a preventative mechanism that can stop such events occurring in the future. However, these concerns and desires are not new; encompassing surveillance narratives both past and present, this book demonstrates how television today builds on earlier narratives about panoptic power to construct our present understanding of government surveillance.Motion picturesGreat BritainMotion pictures, AmericanTerrorismPolitical violenceBritish Film and TVAmerican Film and TVTerrorism and Political ViolenceMotion picturesMotion pictures, American.Terrorism.Political violence.British Film and TV.American Film and TV.Terrorism and Political Violence.812.02508791.456556Rives-East Darcieauthttp://id.loc.gov/vocabulary/relators/aut1226488BOOK9910485028103321Surveillance and Terror in Post-92847809UNINA